A work in constant progress (and occasional regress).
Birthplace:
Blackburn, Lancashire, England, United Kingdom
Born:
July 18, 1908
Died:
April 26, 1984
Although many reference sources inexplicably give Barry Gray's year of birth as 1925, he was in fact born John Livesey Eccles in Blackburn on 18 July 1908. His father John Haworth Eccles was a stationery traveller by profession, but both parents were said to be musically talented, and John Junior went to study at the Royal Manchester College of Music and at Blackburn Cathedral, learning composition from Matyas Seiber. His professional music career began with London publishers B. Feldman & Co. where he arranged scores for variety theatres, and he also worked for Radio Normandy. After war service with the R.A.F. he became a freelance composer and lyricist for radio, records and film music libraries. He joined the Performing Right Society in 1947 under his real name, but later changed it by deed poll to John Livesey Barry Gray. After several years as musical assistant to Eartha Kitt, Hoagy Carmichael and Vera Lynn, in 1956 he began a long and successful association with producers Gerry and Sylvia Anderson, scoring popular marionation series such as Twizzle, Supercar, Fireball XL5, Stingray and Thunderbirds. He continued to compose independently, sometimes using the pseudonyms John Livesey, Gene Durant or Martin Jerbourg (a character in Bergerac). Barry Gray himself moved to the Channel Islands in 1970, settling in St Peter-in-the-Wood in Guernsey and with a music studio in St Peter Port, and occasionally guesting as pianist at island venues. He died of heart disease at Guernsey's Princess Elizabeth Hospital on 26 April 1984, age 75. His music continues to find favour with film makers, particularly the ever-popular Thunderbirds March which enjoyed a notable revival in the expensive Thunderbirds remake of 2004.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.