Huang Sheng-Chun

Alias:
Ryansnap
黃聖鈞

Sheng-Chun Huang, a native filmmaker based in Taipei, is currently studying at the Graduate Institute of Documentary and Film Archiving of the TNNUA.  As a creator who wanders between fiction and reality, he has recently focused on Taiwan's history and human rights. Producing one to two short films annually, he aspires to become a visual storyteller skilled in blending narrative, documentary, and experimental forms of storytelling.  His films have received recognition from festivals at home and abroad. The documentary ""An invisible red line"" won Best Student Documentary at the 46th Golden Harvest Awards. The co-directed documentary ”Relife“ won third place at the 2022 New Taipei City Documentary Awards and Best Student Documentary at the 45th Golden Harvest Awards. The co-directed short film ""Afterlife"", combining animation and live-action, was selected for the 2023 FID Campus at the Marseille International Film Festival in France.

Additional information:

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Cinematography:
2019  Like Fireworks
2023  Confusion of the Afternoon
2023  Relife
2024  Between Farewells and New Beginnings
2024  Dear My Friend
2024  戒毒
2025  我在船上自述

Director:
2018  It’s Snowing There
2019  Like Fireworks
2023  Afterlife
2023  Confusion of the Afternoon
2023  Relife
2024  An Invisible Red Line
2024  Between Farewells and New Beginnings
2024  Dear My Friend
2024  Reconstruction of New Life
2024  voyu
2024  戒毒
2025  我在船上自述

Director of Photography:
2018  It’s Snowing There
2019  Like Fireworks
2023  Afterlife
2023  Confusion of the Afternoon
2023  Relife
2024  An Invisible Red Line
2024  Between Farewells and New Beginnings
2024  Breathing Practice
2024  Dear My Friend
2024  Reconstruction of New Life
2024  Run with the Noise
2024  voyu
2024  戒毒
2025  我在船上自述

Editor:
2018  It’s Snowing There
2019  Like Fireworks
2023  Afterlife
2023  Confusion of the Afternoon
2023  Relife
2024  An Invisible Red Line
2024  Between Farewells and New Beginnings
2024  Breathing Practice
2024  Dear My Friend
2024  Reconstruction of New Life
2024  Run with the Noise
2024  voyu
2024  戒毒
2025  我在船上自述

Producer:
2018  It’s Snowing There
2019  Like Fireworks
2023  Afterlife
2023  Confusion of the Afternoon
2023  Relife
2024  An Invisible Red Line
2024  Between Farewells and New Beginnings
2024  Breathing Practice
2024  Dear My Friend
2024  Reconstruction of New Life
2024  Run with the Noise
2024  voyu
2024  戒毒
2025  我在船上自述

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.