Don Ng

Alias:
Hiu-Tung

Birthplace:
Hong Kong

Don Ng has always considered his work in filmmaking a contribution to humanity - revealing the plight and stories of the ordinary people as what he had been pursuing over his 20 years of journalistic career before becoming a self-taught filmmaker in 2015 for the same reason.  Integrating his story-telling and news reporting skills, Don writes and directs short films that profoundly reflect on the happenings in society and give people a voice. His short films have been screened in film festivals in Hong Kong, Thailand, London and Berlin. The list of accolades includes two grand prizes and being selected as a finalist at festivals.  Don's vision, as he recently shared, is to further discover and expand his curiosity and hone his craft in filmmaking. He's in constant motion in cleverly morphing his characters and the messages that they represent.  Already earnestly passionate, innately talented and proficient in his own style, Don humbly divulged that producing shorts to polish his skills is a journey to further fulfill his dream to succeed as a filmmaker as he explores different genres in giving people the voice and tell the otherwise untold stories.

Additional information:

The Search Form


Director:
2015  INVISIBLE
2018  Final Call
2018  Hostage
2018  One Bullet
2020  Off Track
2022  The Pinch
2022  Vote
2022  Waterandland
2023  25
2023  Bittersweet
2023  It's Not Over

Writer:
2015  INVISIBLE
2018  Final Call
2018  Hostage
2018  One Bullet
2020  Off Track
2022  The Pinch
2022  Vote
2022  Waterandland
2023  25
2023  Bittersweet
2023  It's Not Over

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.