A work in constant progress (and occasional regress).
Alias:
Hiu-Tung
Birthplace:
Hong Kong
Don Ng has always considered his work in filmmaking a contribution to humanity - revealing the plight and stories of the ordinary people as what he had been pursuing over his 20 years of journalistic career before becoming a self-taught filmmaker in 2015 for the same reason. Integrating his story-telling and news reporting skills, Don writes and directs short films that profoundly reflect on the happenings in society and give people a voice. His short films have been screened in film festivals in Hong Kong, Thailand, London and Berlin. The list of accolades includes two grand prizes and being selected as a finalist at festivals. Don's vision, as he recently shared, is to further discover and expand his curiosity and hone his craft in filmmaking. He's in constant motion in cleverly morphing his characters and the messages that they represent. Already earnestly passionate, innately talented and proficient in his own style, Don humbly divulged that producing shorts to polish his skills is a journey to further fulfill his dream to succeed as a filmmaker as he explores different genres in giving people the voice and tell the otherwise untold stories.
Director:
2015 INVISIBLE
2018 Final Call
2018 Hostage
2018 One Bullet
2020 Off Track
2022 The Pinch
2022 Vote
2022 Waterandland
2023 25
2023 Bittersweet
2023 It's Not Over
Writer:
2015 INVISIBLE
2018 Final Call
2018 Hostage
2018 One Bullet
2020 Off Track
2022 The Pinch
2022 Vote
2022 Waterandland
2023 25
2023 Bittersweet
2023 It's Not Over
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.