A work in constant progress (and occasional regress).
Birthplace:
Hamburg, Germany
Born:
February 6, 2000
Luis Lauschner, born in Hamburg in 2000, is a prospective director and screenwriter. In addition to the roles of director and writer in short film and mini-series projects produced by himself, he mainly works as a video operator and camera assistant for a number of German film and tv productions. In 2022 he directed his first commercial. Lauschner was also a co-founder of the YouTube format "Intimate" which was taken over by major German tv-station ProSieben/Joyn in early 2023.
Casting:
2018 Wind(s)stärke
Cinematography:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
Director:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Editor:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Foley:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Producer:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Screenplay:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Script:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Sound Designer:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Sound Editor:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Writer:
2017 Wer kann etwas verändern?
2018 Wind(s)stärke
2021 Milch Mädchen
2024 Entfremdet
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.