Andrew Bisharat

Birthplace:
Brooklyn, New York, U.S.A

Born in Brooklyn and raised in Westchester, Bisharat lived with his grandfather for the first decade of his life. “He was my main connection to Palestine. I was embarrassed by my Palestinian heritage growing up in New York, I felt like I had something to hide, but he and my father taught me to be proud from my roots.  When he was 16, Bisharat's high school girlfriend gave him a rock climbing lesson as a birthday present. It was the start of everything. "I was pretty much hooked right after that." When he left for college a few years later, Bisharat found other people to climb with. He spent his free time learning to climb by reading books and browsing the internet. After graduating, he picked up and moved to Yosemite for months at a time, living in a tent and climbing as much as he could.  As he became more involved in climbing, Bisharat, who always said he was introverted, turned to writing to process the strong experiences he was going through. It wasn't long before his two forms of expression, climbing and writing, merged into one. I spent a semester abroad in New Zealand and mostly rock climbing the whole time I was there. I was listening to the radio and heard the story of a climber who had recently climbed the highest mountain in New Zealand. Both legs up that mountain. I don't know what made me do it, but it felt like an opportunity to write something about someone. I had no real knowledge of what I was doing, but I figured out how to get in touch with him, and asked him if he would do an interview with me. It was such a cool experience. It took a few days to get to him; the biggest softball questions you could ask, and then I went home and spent the next three months making every mistake possible in journalism and writing. I must have rewritten that first paragraph a dozen times. When it was finally done, no magazine even published it because it was so horrible. But this process of failing on my own was very instructive. It was the beginning of writing about rock climbing and writing professionally for me.  After graduating from college, Bisharat interned at Rock and Ice Magazine, where he was soon hired full-time as an editor. He stayed there for 9 years, making lasting connections and building his voice in the climbing world. He has been freelance since 2013, writing numerous articles for National Geographic and the New York Times. He also runs his own rock climbing site, which he calls his passion project. "I host the stories of other climbers there. It's not just about writing for me, it's about being able to share stories about the world of climbing. It's about making getting other people to process those meaningful experiences and push them to put those experiences into words. That's what I enjoy doing the most. In his spare time, he mostly does sport climbing." is more bolt route climbing, more gymnastics style scrambles and trying difficult moves. difficult or fun."  For Bisharat, the importance of rock climbing in his life is beyond doubt. He even moved to Colorado so he could always be close to a climbing spot he loves. to pursue his passion and make sacrifices: living in vans and stuff just to be a He's a wonderful type of person to surround himself with.

Additional information:

The Search Form


Writer:
2023  Resistance Climbing

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.