A work in constant progress (and occasional regress).
Birthplace:
Salvador, Bahia, Brazil
Born:
April 25, 1998
Vinícius Consi, an advertising professional and art director from Salvador - BA, develops works focused on artistic and creative areas, mainly working in art production and direction within audiovisual and advertising. Coming from social projects, he is directly involved with popular culture movements, aiming to promote the preservation and diffusion of peripheral cultures through art. He is responsible for the art direction of the following music videos: "Maresia" by Rachel Reis, "Não Fosse Tão Tarde" by Lou Garcia, and "Drink de Gin" by Gominho. In 2021, he signed the art direction for the dance film "Like Onions" and the dance video "Oxowusi", both funded by the University of Florida. He assisted with the art direction for the launch campaign of the project "Salvador Capital Afro", the end-of-year comedy special "Humor Negro" for Multishow, and produced objects for the commercial breaks of Itaú's 2022 World Cup campaign. In 2023, he was awarded Best Art Direction at the X CineVirada with the short film "Loci Loci" in the Bahia Competitive Showcase. He also signed the art direction for the short films "Tigrezza", "Três:." and "Caio". He makes his debut as director and screenwriter with "By Popular Demand, Capelinha is Back!", reaffirming his passion and involvement with popular and peripheral culture movements.
Art Direction:
2025 Tigrezza
???? Caio
???? Three
Color Grading:
2025 Tigrezza
???? By Popular Demand, Capelinha is Back!
???? Caio
???? Three
Director:
2025 Tigrezza
???? By Popular Demand, Capelinha is Back!
???? Caio
???? Three
Title Designer:
2025 Tigrezza
???? By Popular Demand, Capelinha is Back!
???? Caio
???? Three
Writer:
2025 Tigrezza
???? By Popular Demand, Capelinha is Back!
???? Caio
???? Three
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.