A work in constant progress (and occasional regress).
Alias:
Ingrid Stensland
Birthplace:
Stockholm, Sweden
Born:
October 18, 1934
Died:
April 30, 1970
Inger Stevens (born Ingrid Stensland; October 18, 1934 – April 30, 1970)[1] was a Swedish–American film, television, and stage actress. Stevens was born in Stockholm, Sweden, the eldest child of Per Gustaf and Lisbet Stensland. When she was six years old, her mother abandoned the family (taking her youngest son Peter with her). Soon afterwards Stevens' father moved to the United States, leaving Stevens and her brother, Ola, in the custody of the family maid—and then later with an aunt in Lidingö, near Stockholm. In 1944, she and her brother moved to the United States and lived with their father and his new wife in New York City where he was teaching at Columbia University. At age 13, Stevens moved with her family to Manhattan, Kansas, where her father taught at Kansas State University. Stevens attended Manhattan High School. At 16, she ran away from home to Kansas City, and worked in burlesque shows. At 18, she left Kansas City to return to New York City, where she worked as a chorus girl and in the Garment District while taking classes at the Actors Studio. Stevens appeared on television series, in commercials, and in plays until she received her big break in the film Man on Fire, starring Bing Crosby. Roles in major films followed, including a starring role opposite Harry Belafonte in 1959's The World, the Flesh and the Devil, but she achieved her greatest success in the television series The Farmer's Daughter (1963–1966), with William Windom. Previously, Stevens had appeared in episodes of Bonanza, Route 66, The Alfred Hitchcock Hour, The Eleventh Hour, Sam Benedict The Aquanuts (1960 TV series) and The Twilight Zone. Following the cancellation of The Farmer's Daughter in 1966, Stevens appeared in several films: A Guide for the Married Man (1967), with Walter Matthau; Hang 'Em High, with Clint Eastwood; 5 Card Stud, with Dean Martin and Robert Mitchum; and Madigan with Henry Fonda and Richard Widmark. At the time of her death, Stevens was attempting to revive her television career with the detective drama series The Most Deadly Game. Her first husband was her agent Anthony Soglio, to whom she was married from 1955 to 1957. In January 1966, she was appointed to the Advisory Board of the UCLA Neuropsychiatric Institute by then-California governor Edmund G. "Pat" Brown. She also was named Chairman of the California Council for Retarded Children. Her aunt was Karin Stensland Junker, author of The Child in the Glass Ball. On the morning of April 30, 1970, Stevens's sometime roommate and companion, Lola McNally, found her on the kitchen floor of her Hollywood Hills home. According to McNally, when she called Stevens's name, she opened her eyes, lifted her head, and tried to speak, but was unable to make any sound. McNally told police that she had spoken to Stevens the previous night and had seen no sign of trouble. Stevens died in the ambulance on the way to the hospital. On arrival, medics removed a small bandage from her chin that revealed a small amount of fresh blood oozing from a cut that appeared to have been a few hours old. Los Angeles County Coroner Dr. Thomas Noguchi attributed Stevens's death to "acute barbiturate poisoning" that was eventually ruled a suicide.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.