Manuel Elías López Monroy (b. 1956)

Birthplace:
Mexico

Born:
November 11, 1956

Ex director (2019-2023) and actual professor at the National School of Cinematographic Arts of the National Autonomous University of Mexico (UNAM). Filmmaker. Master of Visual Arts and Bachelor of Graphic Communication from the National School of Plastic Arts (now the Faculty of Arts and Design). A teacher with over 30 years of experience. Graduate of the University Center for Cinematographic Studies, with specialization at the School of Social Communications of the Catholic University of Milan, Italy, and specialization in filmmaking at the Experimental Cinematography Center in Rome, Italy, under the guidance of Sergio Leone. He obtained third place in the First National Feature Film Script Contest organized by IMCINE with his script "Navegantes del Río Churubusco." His short film "Complesso da camera" was presented at the Venice International Film Festival, and his film "El centro del laberinto" was nominated for the Ariel Awards. He is responsible for the PAPIME projects "Implementation of a Center for the Production of Interactive Teaching Material in Digital Media to support academic activities and promotion at ENAP" and "Construction of Cultural Imaginaries and Spatial Representation in Artistic Manifestations linked to 19th century Mexico." Currently, he is a PhD candidate in Art History at the Faculty of Philosophy and Letters, UNAM.

Additional information:

The Search Form


Executive Producer:
2020  One Way Trip
2020  Se habla de Gabriel
2022  Lost Time
2022  Orpheus
2022  The Dark Night of the Soul
2023  A Secret Place
2023  Abyss
2023  Algo que hacer mientras decidíamos que hacer
2023  Being Seen
2023  Blooming
2023  Don't Go Yet
2023  Drowning
2023  Empty Shelves
2023  Forbidden Songs of the Earth
2023  Leda in the Elevator
2023  Moo
2023  Naucalpan
2023  Not Forever on Earth
2023  Return
2023  Self-Complacency
2023  Silence After Storm
2023  Strings
2023  The Black Dog
2023  The Good Being
2023  The Night
2023  Through the Window
2023  Wanted
2023  Wild Chrysanthemums between the pages of my journal I put a flower
2023  África
2023  Ángel
2024  The Noise of Time

Producer:
2020  One Way Trip
2020  Se habla de Gabriel
2022  Lost Time
2022  Orpheus
2022  The Dark Night of the Soul
2023  A Secret Place
2023  Abyss
2023  Algo que hacer mientras decidíamos que hacer
2023  Being Seen
2023  Blooming
2023  Don't Go Yet
2023  Drowning
2023  Empty Shelves
2023  Forbidden Songs of the Earth
2023  Leda in the Elevator
2023  Moo
2023  Naucalpan
2023  Not Forever on Earth
2023  Return
2023  Self-Complacency
2023  Silence After Storm
2023  Strings
2023  The Black Dog
2023  The Good Being
2023  The Night
2023  Through the Window
2023  Wanted
2023  Wild Chrysanthemums between the pages of my journal I put a flower
2023  África
2023  Ángel
2024  The Noise of Time
????  4’33”

Production Executive:
2020  One Way Trip
2020  Se habla de Gabriel
2022  Lost Time
2022  Orpheus
2022  The Dark Night of the Soul
2022  The Phantom Liberty
2023  A Secret Place
2023  Abyss
2023  Algo que hacer mientras decidíamos que hacer
2023  Being Seen
2023  Blooming
2023  Don't Go Yet
2023  Drowning
2023  Empty Shelves
2023  Forbidden Songs of the Earth
2023  Leda in the Elevator
2023  Moo
2023  Naucalpan
2023  Not Forever on Earth
2023  Return
2023  Self-Complacency
2023  Silence After Storm
2023  Strings
2023  The Black Dog
2023  The Good Being
2023  The Night
2023  Through the Window
2023  Wanted
2023  Wild Chrysanthemums between the pages of my journal I put a flower
2023  África
2023  Ángel
2024  The Noise of Time
????  4’33”

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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