A work in constant progress (and occasional regress).
Birthplace:
Mexico
Born:
November 11, 1956
Ex director (2019-2023) and actual professor at the National School of Cinematographic Arts of the National Autonomous University of Mexico (UNAM). Filmmaker. Master of Visual Arts and Bachelor of Graphic Communication from the National School of Plastic Arts (now the Faculty of Arts and Design). A teacher with over 30 years of experience. Graduate of the University Center for Cinematographic Studies, with specialization at the School of Social Communications of the Catholic University of Milan, Italy, and specialization in filmmaking at the Experimental Cinematography Center in Rome, Italy, under the guidance of Sergio Leone. He obtained third place in the First National Feature Film Script Contest organized by IMCINE with his script "Navegantes del Río Churubusco." His short film "Complesso da camera" was presented at the Venice International Film Festival, and his film "El centro del laberinto" was nominated for the Ariel Awards. He is responsible for the PAPIME projects "Implementation of a Center for the Production of Interactive Teaching Material in Digital Media to support academic activities and promotion at ENAP" and "Construction of Cultural Imaginaries and Spatial Representation in Artistic Manifestations linked to 19th century Mexico." Currently, he is a PhD candidate in Art History at the Faculty of Philosophy and Letters, UNAM.
Executive Producer:
2020 One Way Trip
2020 Se habla de Gabriel
2022 Lost Time
2022 Orpheus
2022 The Dark Night of the Soul
2023 A Secret Place
2023 Abyss
2023 Algo que hacer mientras decidíamos que hacer
2023 Being Seen
2023 Blooming
2023 Don't Go Yet
2023 Drowning
2023 Empty Shelves
2023 Forbidden Songs of the Earth
2023 Leda in the Elevator
2023 Moo
2023 Naucalpan
2023 Not Forever on Earth
2023 Return
2023 Self-Complacency
2023 Silence After Storm
2023 Strings
2023 The Black Dog
2023 The Good Being
2023 The Night
2023 Through the Window
2023 Wanted
2023 Wild Chrysanthemums between the pages of my journal I put a flower
2023 África
2023 Ángel
2024 The Noise of Time
Producer:
2020 One Way Trip
2020 Se habla de Gabriel
2022 Lost Time
2022 Orpheus
2022 The Dark Night of the Soul
2023 A Secret Place
2023 Abyss
2023 Algo que hacer mientras decidíamos que hacer
2023 Being Seen
2023 Blooming
2023 Don't Go Yet
2023 Drowning
2023 Empty Shelves
2023 Forbidden Songs of the Earth
2023 Leda in the Elevator
2023 Moo
2023 Naucalpan
2023 Not Forever on Earth
2023 Return
2023 Self-Complacency
2023 Silence After Storm
2023 Strings
2023 The Black Dog
2023 The Good Being
2023 The Night
2023 Through the Window
2023 Wanted
2023 Wild Chrysanthemums between the pages of my journal I put a flower
2023 África
2023 Ángel
2024 The Noise of Time
???? 4’33”
Production Executive:
2020 One Way Trip
2020 Se habla de Gabriel
2022 Lost Time
2022 Orpheus
2022 The Dark Night of the Soul
2022 The Phantom Liberty
2023 A Secret Place
2023 Abyss
2023 Algo que hacer mientras decidíamos que hacer
2023 Being Seen
2023 Blooming
2023 Don't Go Yet
2023 Drowning
2023 Empty Shelves
2023 Forbidden Songs of the Earth
2023 Leda in the Elevator
2023 Moo
2023 Naucalpan
2023 Not Forever on Earth
2023 Return
2023 Self-Complacency
2023 Silence After Storm
2023 Strings
2023 The Black Dog
2023 The Good Being
2023 The Night
2023 Through the Window
2023 Wanted
2023 Wild Chrysanthemums between the pages of my journal I put a flower
2023 África
2023 Ángel
2024 The Noise of Time
???? 4’33”
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.