A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
January 5, 2004
Ramiro Gael Ausilio (Buenos Aires, 2004). Student of Directing at ENERC (Argentina´s National Film School), where he participated directing films such as "Mi Estación" (2022), "Una Vida es el Tango" (2023) and "Caleidoscopio" (2024).
Assistant Director:
2022 En suspension
2023 El aumento
2024 Pirotecnia
Continuity:
2022 En suspension
2023 El aumento
2024 Pirotecnia
2024 Tripa corazón
Director:
2022 En suspension
2022 Mi Estación
2023 El aumento
2023 Revela la Ausencia
2023 Una Vida es el Tango
2023 Viernes 3AM
2024 Caleidoscopio
2024 Pirotecnia
2024 Tripa corazón
Second Assistant Director:
2022 En suspension
2022 Mi Estación
2023 El aumento
2023 Revela la Ausencia
2023 Una Vida es el Tango
2023 Viernes 3AM
2024 Caleidoscopio
2024 Pirotecnia
2024 Tripa corazón
???? Tango
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.