Guy Béart (1930-2015)

Alias:
Guy Béhart-Hasson

Birthplace:
Cairo, Egypt

Born:
July 16, 1930

Died:
September 16, 2015

Guy Béhart-Hasson (16 July 1930 – 16 September 2015), known as Guy Béart, was a French singer and songwriter.  Béart was born Guy Béhart-Hasson (originally spelled Béhar-Hassan) in Cairo, Egypt, to a Sephardic Jewish family, that later sought refuge in Lebanon during his childhood. His mother was Amélia (Taral) and his father was David Béhart-Hasson. His father's work as an accountant and business consultant saw the family move frequently, leading to a childhood spent in France, Greece, and Mexico, in addition to Egypt. His family settled in Lebanon where he did his secondary studies, between ten and seventeen years old, age at which he obtained his French baccalaureate in elementary mathematics at the International College of Beirut, where his interest in music developed to the point that he left for Paris to study at the "École nationale de musique". In addition to music, he also obtained a degree in engineering.  When his father died in 1952, the young Béhart chose to pursue a career in engineering in order to help support his family, studying at the prestigious École nationale des ponts et chaussées. Simultaneously, however, he enrolled in Paris's École nationale de musique, studying violin and mandolin, and in his spare time wrote songs and worked the Paris cabaret circuit, where he played guitar and sang under the stage name "Guy Béart". When a version of one of his songs by a popular performer of the day became a huge success, demand for his writing talents increased and he composed for Juliette Gréco and others. Taken under the wing of renowned music producer Jacques Canetti and fellow musician Boris Vian, he released an album of his own, which won the prestigious Grand Prix de l'Académie du Disque français in 1958.  Normally shy, Béart initially suffered from stage fright and struggled during his concert debut at the Paris Olympia. His biggest hit came when he wrote the soundtrack of the 1958 motion picture, L'Eau vive (Girl and the River in the USA). The title song of the film is considered a classic of what is known as French chanson. Despite his leap to fame, Béart's singing career was soon swamped by the rising tide of American rock and roll. However, reinventing himself as a host of a television show featuring musical stars from a variety of genres, he remained in the public eye and eventually made a recording comeback.  From his first wife Cécile de Bonnefoy du Charmel he had a daughter, Ève (born 1959).  In 1963 he and his second wife, Geneviève Galéa (pseudonym of Geneviève Guillery), had a daughter, Emmanuelle, who would grow up to be an actress. ...  Source: Article "Guy Béart" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Music:
1957  Too Many Lovers
1958  Girl and the River

Original Music Composer:
1957  Too Many Lovers
1958  Girl and the River
1962  The Dance
1964  A Mouse with the Men

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.