A work in constant progress (and occasional regress).
Birthplace:
Lowell, Massachusetts, USA
Nathan "Nate" Sellers is a visual artist and independent filmmaker known for his experimental shorts and horror-influenced dramas. His films, including the award-winning short 'The Watcher' (2022), have been compared to the minimalist works of Michael Haneke and Jane Campion, as well as the modern horror works of Oz Perkins. He has produced various projects, including the folk-horror short 'The Thaw' (2023), and is currently working on the stop-motion feature 'Alma' with award-winning artist Catya Plate. His latest film, 'Methuselah,' premiered at the Tallahassee Film Festival in 2024.
Cinematography:
2022 The Watcher
2024 Methuselah
Director:
2022 The Watcher
2024 Methuselah
Editor:
2022 The Watcher
2024 Methuselah
Producer:
2022 The Watcher
2023 The Thaw
2024 Methuselah
Writer:
2022 The Watcher
2023 The Thaw
2024 Methuselah
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.