Rino Mioc (b. 1996)

Birthplace:
Croatia

Born:
July 10, 1996

Rino Mioc is a Croatian-Canadian independent filmmaker and producer based in Calgary, Alberta, with a focus on telling intimate, character-driven stories that often explore identity, queerness, folklore, and sometimes even the supernatural. His work tends to draw from lived experience, cultural heritage, and community while blending realism with the surreal. Rino has received numerous grants and awards for his work, but also prioritizes supporting other artists through his company Tapped Potential Films.

Additional information:

The Search Form


Assistant Camera:
2025  Seed

Director:
2023  Mono No Aware
2025  Seed
2026  Earth to Colby
????  Kikimora
????  The Makeshift Shrine

Director of Photography:
2023  Mono No Aware
2025  Seed
2026  Earth to Colby
????  Kikimora
????  The Makeshift Shrine
????  Theft

Editor:
2023  Mono No Aware
2025  Seed
2026  Earth to Colby
????  Kikimora
????  The Makeshift Shrine
????  Theft

First Assistant Director:
2023  Mono No Aware
2025  CAMP
2025  Seed
2026  Earth to Colby
????  Kikimora
????  The Makeshift Shrine
????  Theft

Producer:
2022  Landline
2023  Mono No Aware
2023  Pool Party
2024  Cease to Exist
2025  CAMP
2025  Seed
2026  Earth to Colby
????  Kikimora
????  The Makeshift Shrine
????  Theft

Writer:
2022  Landline
2023  Mono No Aware
2023  Pool Party
2024  Cease to Exist
2025  CAMP
2025  Seed
2026  Earth to Colby
????  Kikimora
????  The Makeshift Shrine
????  Theft

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.