A work in constant progress (and occasional regress).
Birthplace:
Portugal
Mariana Macedo is a visual artist from Lisbon whose cinematography journey has been growing and evolving in the past couple of years, diving in an immersive journey in the art of cinema, both visually and intellectually. She enrolled at Cinema and TV at ETIC - Escola de Tecnologias Inovação e Criação, where she focused her studies on editing, writing and directing.
Art Direction:
???? Midnight, Blue
Cinematography:
2023 des-pensa
???? Midnight, Blue
Director of Photography:
2023 des-pensa
???? For those who have to hit the road again
???? Midnight, Blue
Editor:
2023 des-pensa
2024 Sadio
???? For those who have to hit the road again
???? Midnight, Blue
Graphic Designer:
2023 des-pensa
2024 Sadio
???? For those who have to hit the road again
???? Midnight, Blue
Screenplay:
2023 des-pensa
2024 Sadio
???? For those who have to hit the road again
???? Midnight, Blue
Sound:
2023 des-pensa
2024 Sadio
???? For those who have to hit the road again
???? Midnight, Blue
???? esta noite improvisa-se
Sound Director:
2023 des-pensa
2024 Sadio
???? For those who have to hit the road again
???? Midnight, Blue
???? esta noite improvisa-se
Title Designer:
2023 des-pensa
2024 Sadio
???? For those who have to hit the road again
???? Midnight, Blue
???? esta noite improvisa-se
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.