Alexander Wunsch (b. 2000)

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Alias:
Alex Wunsch

Birthplace:
Potsdam - Germany

Born:
February 5, 2000

After discovering his passion for high-quality sound as an intern at Burmester Audiosystems, Alexander shifted his focus at film school entirely to sound for film. Through various student film projects, he landed 2018 at rotor film, where he continued learning the ins and outs of sound for picture by working with sound designers and re-recording mixers from all around the world.  Today he is an MPSE-nominated full-time re-recording mixer and the technical lead of rotor film's sound division. Continuing his 70 year old family tradition of working in the film business.

Additional information:

The Search Form


Dialogue Editor:
2022  Oh Hell
2023  The Interpreter of Silence
2024  RESET - Wie weit willst du gehen?

Foley Editor:
2015  Deutschland
2022  Oh Hell
2023  The Interpreter of Silence
2024  RESET - Wie weit willst du gehen?

Sound Re-Recording Assistant:
2015  Deutschland
2022  Oh Hell
2023  The Gryphon
2023  The Interpreter of Silence
2023  The Swarm
2024  RESET - Wie weit willst du gehen?

Sound Re-Recording Mixer:
2015  Deutschland
2022  Oh Hell
2023  The Gryphon
2023  The Interpreter of Silence
2023  The Swarm
2024  Crooks
2024  Hameln
2024  RESET - Wie weit willst du gehen?
2024  Uferpark – Gute Zeiten, wilde Zeiten
2024  Wäldern

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.