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Jean-Claude Pascal (1927-1992)

Alias:
Jean-Claude Villeminot
Жан-Клод Паскаль

Birthplace:
Paris, France

Born:
October 24, 1927

Died:
May 5, 1992

Biography from TheMovieDB

Jean-Claude Pascal (b. 24 October 1927 in Paris, France as Jean-Claude Villeminot. d. 5 May 1992) was a French singer.  After surviving the Second World War in Straßburg, Pascal first studied at the Sorbonne-university and then turned to fashion-designing for Christian Dior. On his work for costumes for the theatre-play Don Juan he came into contact with acting and made his first cinema-movie in 1949 with Quattro rose rosse. Many movies should follow, among them La Belle et l'empereur ("Die schöne Lügnerin", 1959) (aside to Romy Schneider) or Angelique and the Sultan (Angélique et le sultan, 1968) aside to Michèle Mercier.  Pascal won the 1961 Eurovision Song Contest for Luxembourg singing "Nous les amoureux" (We the lovers) with music composed by Jacques Datin and lyrics by Maurice Vidalin. He later represented Luxembourg again in the 1981 contest and finished 11th of 20 singing "C'est peut-être pas l'Amérique" (It may not be America) with words and music he composed along with Sophie Makhno and Jean-Claude Petit.  Description above from the Wikipedia article Jean-Claude Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Film Performances

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Film Production

Still Photographer:
2009  Bandaged

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TV Performances

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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