A work in constant progress (and occasional regress).
Birthplace:
Shanghai, China
Born:
January 6, 1940
Died:
June 19, 1997
Olga Georges-Picot (6 January 1940 – 19 June 1997) was a French actress. She was a great-niece of François Georges-Picot. Born in Shanghai, in Japanese-occupied China, she was the daughter of Guillaume Georges-Picot, the French Ambassador to China, and a Russian mother, Anastasia Mironovich. She attended the International School in Geneva in the early fifties with her sister. She also attended the Lycée français de New York (Class of 1958). She studied acting at the Actors Studio in Paris. Her acting career included roles in French and English films, and on television. She was featured in Playboy Magazine’s "Sex in Cinema" column, and also on the front cover of the periodical Adam. She appeared in three mainstream films: Denise, the OAS mole, in The Day of the Jackal (1973); Countess Alexandrovna in Woody Allen’s Love and Death (1975); and Julie Anderson in Basil Dearden’s The Man Who Haunted Himself (1970). Her break-through role in the movies was as Catrine in the Alain Resnais’s film Je t'aime, je t'aime (1968). Earlier that year, she had appeared in the French television movie Thibaud the Crusader (1968). On Thursday 19 June 1997, she jumped to her death from the 5th floor of an apartment building in Paris, France. Source: Article "Olga Georges-Picot" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.