A work in constant progress (and occasional regress).
Alias:
Éric de Marsan
Éric de Marsanis
Birthplace:
Paris, France
Born:
October 2, 1938
Éric Demarsan (born 2 October 1938), also known as Éric de Marsanis, is a French film score composer. After working as arranger for composers Michel Magne then François de Roubaix (including on Le Samouraï) he scored L'Armée des ombres (aka Army of Shadows) in 1969 then Le Cercle rouge (aka The red circle) in 1970, both by director Jean-Pierre Melville. After that, he scored numerous movies for other great directors like Jean-Pierre Mocky, Costa-Gavras or Patrice Leconte. Éric Demarsan also composed many songs, the Pop Symphony album under pseudonym Jason Havelock, as well as some musics for sound and light shows. Since 2000 he works frequently with director Guillaume Nicloux and then Hervé Hadmar. Source: Article "Éric Demarsan" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Compositor:
1998 Vidange
Conductor:
1979 Roberte
1998 Vidange
Music:
1975 Death of a Guide
1975 La reine de Saba
1975 The Daughter of the Railroad Crossing Guard
1978 Pauline et l'ordinateur
1978 Ça va pas la tête
1979 Roberte
1980 5% de risque
1982 L'Indiscrétion
1983 The Executioner of Hearts
1990 The Big O
1993 La Treizième Voiture
1994 Target of Suspicion
1997 Georges Bataille - À perte de vue
1998 Vidange
2000 La Candide Madame Duff
2020 Melville, le dernier samouraï
Music Producer:
1975 Death of a Guide
1975 La reine de Saba
1975 The Daughter of the Railroad Crossing Guard
1978 Pauline et l'ordinateur
1978 Ça va pas la tête
1979 Roberte
1980 5% de risque
1982 L'Indiscrétion
1983 The Executioner of Hearts
1990 The Big O
1993 La Treizième Voiture
1994 Target of Suspicion
1997 Georges Bataille - À perte de vue
1998 Vidange
2000 La Candide Madame Duff
2016 Letters from Athens
2020 Melville, le dernier samouraï
Original Music Composer:
1969 Army of Shadows
1970 Le Cercle Rouge
1973 La Sainte Famille
1975 A Woman Possessed
1975 Death of a Guide
1975 La reine de Saba
1975 Raging Fists
1975 Special Section
1975 The Daughter of the Railroad Crossing Guard
1975 The Red Ibis
1976 Tomorrow's Children
1978 Attention, the Kids Are Watching
1978 Pauline et l'ordinateur
1978 Ça va pas la tête
1979 Roberte
1980 5% de risque
1981 Heat of Desire
1982 L'Indiscrétion
1983 The Executioner of Hearts
1985 The Specialists
1990 The Big O
1993 La Treizième Voiture
1994 Target of Suspicion
1996 La dernière fête
1997 Georges Bataille - À perte de vue
1998 Vidange
2000 La Candide Madame Duff
2000 Tout est calme
2002 A Private Affair
2003 Hanging Offense
2006 The Stone Council
2016 Letters from Athens
2016 The End
2020 Melville, le dernier samouraï
Music:
2008 Forgotten Girls
2011 Signature
2016 Beyond the Walls
Original Music Composer:
2008 Forgotten Girls
2011 Signature
2015 Witnesses
2016 Beyond the Walls
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.