A work in constant progress (and occasional regress).
Aleksander Rostov (pseudonym) is an Estonian artist, a founding member of the cultural group ZA/UM and the main artist of the video game "Disco Elysium", whose bold brushstrokes have been called the element that holds together the aesthetics of the game by fellow artist Kaspar Tamsalu who worked on the project. Fully hand-painted (vs. 3D generated) PC games were a rarity at the time of Disco Elysium's release, Rostov has mentioned his disapproval of hyperrealism when explaining the expressive visual language used in the game, explaining that the art is more a reflection of the relationship between the main character and the world: "Their [side characters'] homes are actually meant to be extensions of those portraits. In a sense, the game is a portrait -- the writer invents the characters' habits and beliefs, the voice actor conveys it through tone of voice and word stress, while the artist and animators can convey their faces and body language." The game's art reflects the effects of the ongoing destruction of the world of Elysium (most of the world that ever existed has already been destroyed, and the process is accelerating), which in one way or another is reflected in the psychology of each character. When creating the art of the game, Rostov was based on the paradigm of modern oil painting. Also during the time of the ZA/UM blog, Rostov was engaged in the analysis of the psychology of painting or the form of video games in text form, and during the completion of "Disco Elysium" he wrote on the TIGSource forum as a chronicler of the game's development process.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.