A work in constant progress (and occasional regress).
Birthplace:
Billerica, Massachusetts, USA
Born:
January 8, 2001
Riley Hogan is a writer, director, producer, sound recordist, assistant director, and editor from Billerica, Massachusetts known for the festival winning short film “Five Til Midnight” as well as his work on the HBO Documentary Film "A Revolution on Canvas".
Animation:
2024 3-D
Assistant Director:
2023 Excuse Me
2023 The Letter
2024 3-D
Casting:
2022 Five Til Midnight
2023 Excuse Me
2023 The Letter
2024 3-D
Casting Coordinator:
2022 Five Til Midnight
2023 Excuse Me
2023 The Letter
2024 3-D
Chief Lighting Technician:
2021 Forgiveness
2022 Five Til Midnight
2023 Excuse Me
2023 The Letter
2024 3-D
Cinematography:
2021 Forgiveness
2022 Five Til Midnight
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
Director:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
2024 Used Car Salesman
Director of Photography:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
2024 Used Car Salesman
Editor:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
2024 Used Car Salesman
Foley Artist:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
2024 Used Car Salesman
Producer:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
2024 Used Car Salesman
Producer's Assistant:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
2024 Used Car Salesman
Score Engineer:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2024 3-D
2024 Used Car Salesman
Sound:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2023 thE RiNGiNG iN ouR EARS
2024 3-D
2024 Used Car Salesman
Sound Designer:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2023 thE RiNGiNG iN ouR EARS
2024 3-D
2024 Used Car Salesman
Sound Engineer:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2023 thE RiNGiNG iN ouR EARS
2024 3-D
2024 Used Car Salesman
Sound Mixer:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2023 thE RiNGiNG iN ouR EARS
2024 3-D
2024 Used Car Salesman
Sound Recordist:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2023 thE RiNGiNG iN ouR EARS
2024 3-D
2024 Used Car Salesman
Writer:
2020 Brûler
2021 Forgiveness
2022 Five Til Midnight
2023 A Revolution on Canvas
2023 Cormorant
2023 Excuse Me
2023 The Letter
2023 thE RiNGiNG iN ouR EARS
2024 3-D
2024 Used Car Salesman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.