Cheikha Remitti (1923-2006)

Alias:
Cheikha Rimitti
Rimitti
Saadia El Ghilizania
شيخة ريميتي

Birthplace:
Tessala, Algeria

Born:
May 8, 1923

Died:
May 15, 2006

Cheikha Remitti (in arabic : شيخة ريميتي), or simply called Rimitti, whose real name is Sadia Bedief, born on May 8, 1923 in Tessala, near Sidi-Bel-Abbès, in Algeria, and died on May 15, 2006 in Paris 18e, is an Algerian musician and singer of raï. She was nicknamed the "Granny of Raï", of which she was the major female and feminist figure in the history of music in North Africa.  Cheikha Remitti was born in Algeria in Tessala (a town located near Sidi Bel-Abbès, in Oranie) on May 8, 1923. She is originally from Ammi Moussa, Wilaya of Relizane of the large Berber tribe Beni-Ouragh. Cheikha Rimitti was one of the first women to sing, like men, to a background of gasba flute and long galal drum. To this style, she added the raw language and rough, almost spoken style of the meddahates, who introduce teenage girls to the joys and pitfalls of love by singing for exclusively female assemblies. She was a singer considered the spiritual mother of raï and the mother of modern raï.  She composed more than 200 songs. For all raï musicians, she embodies a queen, "THE" great lady venerated by all the singers of the younger generation who see in her "the Mother of the genre", Rachid Taha will dedicate the song, "Rimitti" to her.  She was steeped in rural singing at a very young age. Orphaned, raised by "bosses" whom she left as a teenager to follow a troupe of nomadic musicians, the Hamdachis, the young Saïda experienced poverty and epidemics before launching into song in the 1940s, with the help of the musician Cheick Mohamed Ould Ennems, in Relizane, Oran and Algiers. After Independence, her songs earned her censorship from certain Algerian politicians. Rimitti provoked both the censoring government and strict Islam. Singing about love, women, alcohol, tangled bodies, freedom, feminism... She earned herself a sulphurous reputation from her first success, Charrak Gatta in 1954. Its name would indeed come from the injunction "Remettre" (a tour): "rimitti", with the accent.  In 1971, she suffered a terrible car accident in Algeria, three of her musicians were killed and she fell into a coma. In 1976, she made the pilgrimage to Mecca, and stopped drinking alcohol and smoking, which had no impact on the themes of her songs. Cheikha Rimitti moved to Paris in 1978, where she hosted evenings in cafés, including the famous "Bedjaïa Club", until the Bobigny Festival in 1986, which launched the raï fashion in France. She gradually became the international ambassador of raï, while she could not stand all "these young cheats", as she herself said, and continued to expand her audience.  She gave a concert in 1994 at the Institut du monde arabe as well as in the major world capitals. The album Nouar (2000) will win the Grand Prix du disque of the Académie Charles-Cros.  Rimitti further widens his audience at the end of the 1990s by trying experiments, as in Sidi Mansour (1994) with Robert Fripp (of King Crimson), Flea, the bassist of the Red Hot Chili Peppers and East Bay Ray (of the Dead Kennedys), or in the more electronic N'ta Goudami (2005).

Additional information:

The Search Form


Music:
2003  Games of Love and Chance
2013  Homeland

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.