Henri Jeanson (1900-1970)

Alias:
Анри Жансон

Birthplace:
Paris, France

Born:
March 6, 1900

Died:
November 6, 1970

Henri Jules Louis Jeanson (6 March 1900 in Paris – 6 November 1970 in Équemauville) was a French writer and journalist. He was a "satrap" in the "College of 'Pataphysics".  Jeanson was born on 6 March 1900 in Paris. His father was a teacher. Before becoming a journalist, he had several casual jobs, including being depicted as a soldier on a good-luck card for a postcard seller, belying his future pacifism. In 1917, he started work for La Bataille, newspaper of the Confédération générale du travail. Noted for his strong writing, he was a journalist throughout the 1920s, with intervening stints as reporter, interviewer and film critic. He was distinguished by the potency of his style and a taste for polemic. Jeanson worked for several papers including the Journal du peuple, Hommes du Jour and the Canard enchaîné, where he defended complete pacifism.  He resigned from the Canard enchaîné in 1937, in solidarity with Jean Galtier-Boissière.  He was sentenced to 18 months in prison in July 1939, for publishing an article in Solidarité internationale antifasciste, a periodical founded in November 1938 by Louis Lecoin, in which he congratulated Herschel Grynszpan for his assassination of Ernst vom Rath, an official of the German embassy in Paris. He was arrested in November 1939, at which time he had already joined his regiment in Meaux, for articles which had appeared in March and August 1939, and for having signed Louis Lecoin's tract "Paix immédiate". On 20 December 1939, he was sentenced by a military tribunal to five years in prison for "calling for disobedience within the ranks".  Jeanson was in prison for his pacifist writings, and this only a few days before the German army marched into Paris. His freedom was obtained by the lawyer and minister César Campinchi. He remained in Paris and in August 1940 was given the chief editorship of Aujourd'hui, an "independent" newspaper. The first issue went out on 10 September 1940. In November 1940, the German authorities pressured him to take a public position against the Jews and in favour of the politics of collaboration with the Vichy regime. Jeanson resigned and went back to prison. He was freed a few months later after the intervention of his friend Gaston Bergery, a neo-radical who had turned to the collaborationists through ultra-pacifism. From that point on he was banned from the press and the cinema, and worked secretly, writing film dialogues without putting his name to them. With Pierre Bénard, Jeanson participated in the development of secret pamphlets, and just missed being re-arrested in 1942. He continued to lie low until the liberation of France.  His story is said to illustrate the contradictions and compromises of absolute pacifism: the willingness to seek an understanding with Germany to avoid war, transforming, after France's defeat, into a desire for proper coexistence, even offering to serve the Germans. The newspaper Aujourd'hui was far from being innocent in its hunting down those allegedly responsible for France's defeat, resorting to the "clean sweep of the broom" myth in its Anglophobia. The paper entered into resonance with Marshal Philippe Pétain's narrative, and took the direction of German propaganda. ...  Source: Article "Henri Jeanson" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Adaptation:
1938  The Shanghai Drama
1951  Savage Triangle
1954  Madame du Barry

Dialogue:
1937  Life Dances On
1937  Pépé le Moko
1937  The Lie of Nina Petrovna
1938  Le Patriote
1938  The Curtain Rises
1938  The Shanghai Drama
1944  Carmen
1947  Carbon Copy
1947  Square of Knaves
1947  The Crowned Fish Tavern
1948  The Loves of Colette
1949  Between Eleven and Midnight
1949  The Sinners
1950  Lost Souvenirs
1950  Three Sinners
1951  Bluebeard
1951  Savage Triangle
1954  Madame du Barry
1957  Nathalie
1959  Marie-Octobre
1959  The Cow and I
1960  It Happened All Night
1962  The Devil and the Ten Commandments
1963  Don't Tempt the Devil
1966  Paris in August
1968  The Man in the Buick

Director:
1937  Life Dances On
1937  Pépé le Moko
1937  The Lie of Nina Petrovna
1938  Le Patriote
1938  The Curtain Rises
1938  The Shanghai Drama
1944  Carmen
1947  Carbon Copy
1947  Square of Knaves
1947  The Crowned Fish Tavern
1948  The Loves of Colette
1949  Between Eleven and Midnight
1949  The Sinners
1950  Lady Paname
1950  Lost Souvenirs
1950  Three Sinners
1951  Bluebeard
1951  Savage Triangle
1954  Madame du Barry
1957  Nathalie
1959  Marie-Octobre
1959  The Cow and I
1960  It Happened All Night
1962  The Devil and the Ten Commandments
1963  Don't Tempt the Devil
1966  Paris in August
1968  The Man in the Buick

Original Film Writer:
1937  Life Dances On
1937  Pépé le Moko
1937  The Lie of Nina Petrovna
1938  Le Patriote
1938  The Curtain Rises
1938  The Shanghai Drama
1944  Carmen
1947  Carbon Copy
1947  Square of Knaves
1947  The Crowned Fish Tavern
1948  The Loves of Colette
1949  Between Eleven and Midnight
1949  The Sinners
1950  Lady Paname
1950  Lost Souvenirs
1950  Three Sinners
1951  Bluebeard
1951  Savage Triangle
1954  Madame du Barry
1957  Nathalie
1959  Marie-Octobre
1959  The Cow and I
1960  It Happened All Night
1962  The Devil and the Ten Commandments
1963  Don't Tempt the Devil
1964  Paris When It Sizzles
1966  Paris in August
1968  The Man in the Buick

Scenario Writer:
1937  Life Dances On
1937  Pépé le Moko
1937  The Lie of Nina Petrovna
1938  Le Patriote
1938  The Curtain Rises
1938  The Shanghai Drama
1944  Carmen
1945  Angel and Sinner
1947  Carbon Copy
1947  Square of Knaves
1947  The Crowned Fish Tavern
1948  The Loves of Colette
1949  Between Eleven and Midnight
1949  The Sinners
1950  Lady Paname
1950  Lost Souvenirs
1950  Three Sinners
1951  Bluebeard
1951  Savage Triangle
1954  Madame du Barry
1957  Nathalie
1959  Marie-Octobre
1959  The Cow and I
1960  It Happened All Night
1962  Crime Does Not Pay
1962  The Devil and the Ten Commandments
1963  Don't Tempt the Devil
1964  Paris When It Sizzles
1966  Paris in August
1968  The Man in the Buick

Screenplay:
1933  La Dame de chez Maxim's
1933  The Merry Monarch
1937  French White Cargo
1937  Life Dances On
1937  Pépé le Moko
1937  The Lie of Nina Petrovna
1938  Hôtel du Nord
1938  Le Patriote
1938  The Curtain Rises
1938  The Shanghai Drama
1944  Carmen
1944  L'aventure est au coin de la rue
1945  Angel and Sinner
1946  Un revenant
1947  Carbon Copy
1947  Square of Knaves
1947  The Crowned Fish Tavern
1948  The Loves of Colette
1949  Between Eleven and Midnight
1949  The Sinners
1950  Lady Paname
1950  Lost Souvenirs
1950  Three Sinners
1950  Twelve Hours to Live
1951  Bluebeard
1951  Savage Triangle
1954  Madame du Barry
1957  Nathalie
1958  Maxime
1959  Guinguette
1959  Marie-Octobre
1959  The Cow and I
1960  It Happened All Night
1961  Madame
1962  Crime Does Not Pay
1962  The Devil and the Ten Commandments
1963  Don't Tempt the Devil
1964  Paris When It Sizzles
1964  The Black Tulip
1966  Paris in August
1968  The Man in the Buick

Story:
1933  La Dame de chez Maxim's
1933  The Merry Monarch
1937  French White Cargo
1937  Life Dances On
1937  Pépé le Moko
1937  The Lie of Nina Petrovna
1938  Hôtel du Nord
1938  Le Patriote
1938  The Curtain Rises
1938  The Shanghai Drama
1944  Carmen
1944  L'aventure est au coin de la rue
1945  Angel and Sinner
1946  Un revenant
1947  Carbon Copy
1947  Square of Knaves
1947  The Crowned Fish Tavern
1948  The Loves of Colette
1949  Between Eleven and Midnight
1949  The Sinners
1950  Lady Paname
1950  Lost Souvenirs
1950  Three Sinners
1950  Twelve Hours to Live
1951  Bluebeard
1951  Savage Triangle
1954  Madame du Barry
1957  Nathalie
1958  Maxime
1959  Guinguette
1959  Marie-Octobre
1959  The Cow and I
1960  It Happened All Night
1960  Wasteland
1961  Madame
1962  Crime Does Not Pay
1962  The Devil and the Ten Commandments
1963  Don't Tempt the Devil
1964  Paris When It Sizzles
1964  The Black Tulip
1966  Paris in August
1968  The Man in the Buick

Writer:
1933  La Dame de chez Maxim's
1933  The Girl from Maxim's
1933  The Merry Monarch
1934  Sidonie Panache
1936  Mister Flow
1937  French White Cargo
1937  Life Dances On
1937  Naples Under the Kiss of Fire
1937  Pépé le Moko
1937  The Lie of Nina Petrovna
1938  Hôtel du Nord
1938  Le Patriote
1938  Princess Tarakanova
1938  The Curtain Rises
1938  The Shanghai Drama
1944  Carmen
1944  L'aventure est au coin de la rue
1945  Angel and Sinner
1946  Un revenant
1947  Carbon Copy
1947  Square of Knaves
1947  The Crowned Fish Tavern
1947  The Damned
1948  In the Eyes of Memory
1948  Monelle
1948  The Loves of Colette
1949  Between Eleven and Midnight
1949  The Sinners
1950  Lady Paname
1950  Lost Souvenirs
1950  Three Sinners
1950  Twelve Hours to Live
1951  Bluebeard
1951  Savage Triangle
1951  The Moment of Truth
1952  Holiday for Henrietta
1952  The Man in My Life
1954  Daughters of Destiny
1954  Madame du Barry
1955  Nana
1957  Lovers of Paris
1957  Nathalie
1958  Maxime
1959  Atomic Agent
1959  Guinguette
1959  Marie-Octobre
1959  The Cow and I
1960  It Happened All Night
1960  Wasteland
1961  Long Live Henry IV... Long Live Love!
1961  Madame
1961  Operation Caviar
1961  This Time it Must Be Caviar
1962  Crime Does Not Pay
1962  The Devil and the Ten Commandments
1963  Don't Tempt the Devil
1963  The Sword and the Balance
1964  Champagne for Savages
1964  Paris When It Sizzles
1964  The Black Tulip
1965  Le Majordome
1966  Paris in August
1968  The Man in the Buick

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.