A work in constant progress (and occasional regress).
Alias:
Анри Жансон
Birthplace:
Paris, France
Born:
March 6, 1900
Died:
November 6, 1970
Henri Jules Louis Jeanson (6 March 1900 in Paris – 6 November 1970 in Équemauville) was a French writer and journalist. He was a "satrap" in the "College of 'Pataphysics". Jeanson was born on 6 March 1900 in Paris. His father was a teacher. Before becoming a journalist, he had several casual jobs, including being depicted as a soldier on a good-luck card for a postcard seller, belying his future pacifism. In 1917, he started work for La Bataille, newspaper of the Confédération générale du travail. Noted for his strong writing, he was a journalist throughout the 1920s, with intervening stints as reporter, interviewer and film critic. He was distinguished by the potency of his style and a taste for polemic. Jeanson worked for several papers including the Journal du peuple, Hommes du Jour and the Canard enchaîné, where he defended complete pacifism. He resigned from the Canard enchaîné in 1937, in solidarity with Jean Galtier-Boissière. He was sentenced to 18 months in prison in July 1939, for publishing an article in Solidarité internationale antifasciste, a periodical founded in November 1938 by Louis Lecoin, in which he congratulated Herschel Grynszpan for his assassination of Ernst vom Rath, an official of the German embassy in Paris. He was arrested in November 1939, at which time he had already joined his regiment in Meaux, for articles which had appeared in March and August 1939, and for having signed Louis Lecoin's tract "Paix immédiate". On 20 December 1939, he was sentenced by a military tribunal to five years in prison for "calling for disobedience within the ranks". Jeanson was in prison for his pacifist writings, and this only a few days before the German army marched into Paris. His freedom was obtained by the lawyer and minister César Campinchi. He remained in Paris and in August 1940 was given the chief editorship of Aujourd'hui, an "independent" newspaper. The first issue went out on 10 September 1940. In November 1940, the German authorities pressured him to take a public position against the Jews and in favour of the politics of collaboration with the Vichy regime. Jeanson resigned and went back to prison. He was freed a few months later after the intervention of his friend Gaston Bergery, a neo-radical who had turned to the collaborationists through ultra-pacifism. From that point on he was banned from the press and the cinema, and worked secretly, writing film dialogues without putting his name to them. With Pierre Bénard, Jeanson participated in the development of secret pamphlets, and just missed being re-arrested in 1942. He continued to lie low until the liberation of France. His story is said to illustrate the contradictions and compromises of absolute pacifism: the willingness to seek an understanding with Germany to avoid war, transforming, after France's defeat, into a desire for proper coexistence, even offering to serve the Germans. The newspaper Aujourd'hui was far from being innocent in its hunting down those allegedly responsible for France's defeat, resorting to the "clean sweep of the broom" myth in its Anglophobia. The paper entered into resonance with Marshal Philippe Pétain's narrative, and took the direction of German propaganda. ... Source: Article "Henri Jeanson" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Adaptation:
1938 The Shanghai Drama
1951 Savage Triangle
1954 Madame du Barry
Dialogue:
1937 Life Dances On
1937 Pépé le Moko
1937 The Lie of Nina Petrovna
1938 Le Patriote
1938 The Curtain Rises
1938 The Shanghai Drama
1944 Carmen
1947 Carbon Copy
1947 Square of Knaves
1947 The Crowned Fish Tavern
1948 The Loves of Colette
1949 Between Eleven and Midnight
1949 The Sinners
1950 Lost Souvenirs
1950 Three Sinners
1951 Bluebeard
1951 Savage Triangle
1954 Madame du Barry
1957 Nathalie
1959 Marie-Octobre
1959 The Cow and I
1960 It Happened All Night
1962 The Devil and the Ten Commandments
1963 Don't Tempt the Devil
1966 Paris in August
1968 The Man in the Buick
Director:
1937 Life Dances On
1937 Pépé le Moko
1937 The Lie of Nina Petrovna
1938 Le Patriote
1938 The Curtain Rises
1938 The Shanghai Drama
1944 Carmen
1947 Carbon Copy
1947 Square of Knaves
1947 The Crowned Fish Tavern
1948 The Loves of Colette
1949 Between Eleven and Midnight
1949 The Sinners
1950 Lady Paname
1950 Lost Souvenirs
1950 Three Sinners
1951 Bluebeard
1951 Savage Triangle
1954 Madame du Barry
1957 Nathalie
1959 Marie-Octobre
1959 The Cow and I
1960 It Happened All Night
1962 The Devil and the Ten Commandments
1963 Don't Tempt the Devil
1966 Paris in August
1968 The Man in the Buick
Original Film Writer:
1937 Life Dances On
1937 Pépé le Moko
1937 The Lie of Nina Petrovna
1938 Le Patriote
1938 The Curtain Rises
1938 The Shanghai Drama
1944 Carmen
1947 Carbon Copy
1947 Square of Knaves
1947 The Crowned Fish Tavern
1948 The Loves of Colette
1949 Between Eleven and Midnight
1949 The Sinners
1950 Lady Paname
1950 Lost Souvenirs
1950 Three Sinners
1951 Bluebeard
1951 Savage Triangle
1954 Madame du Barry
1957 Nathalie
1959 Marie-Octobre
1959 The Cow and I
1960 It Happened All Night
1962 The Devil and the Ten Commandments
1963 Don't Tempt the Devil
1964 Paris When It Sizzles
1966 Paris in August
1968 The Man in the Buick
Scenario Writer:
1937 Life Dances On
1937 Pépé le Moko
1937 The Lie of Nina Petrovna
1938 Le Patriote
1938 The Curtain Rises
1938 The Shanghai Drama
1944 Carmen
1945 Angel and Sinner
1947 Carbon Copy
1947 Square of Knaves
1947 The Crowned Fish Tavern
1948 The Loves of Colette
1949 Between Eleven and Midnight
1949 The Sinners
1950 Lady Paname
1950 Lost Souvenirs
1950 Three Sinners
1951 Bluebeard
1951 Savage Triangle
1954 Madame du Barry
1957 Nathalie
1959 Marie-Octobre
1959 The Cow and I
1960 It Happened All Night
1962 Crime Does Not Pay
1962 The Devil and the Ten Commandments
1963 Don't Tempt the Devil
1964 Paris When It Sizzles
1966 Paris in August
1968 The Man in the Buick
Screenplay:
1933 La Dame de chez Maxim's
1933 The Merry Monarch
1937 French White Cargo
1937 Life Dances On
1937 Pépé le Moko
1937 The Lie of Nina Petrovna
1938 Hôtel du Nord
1938 Le Patriote
1938 The Curtain Rises
1938 The Shanghai Drama
1944 Carmen
1944 L'aventure est au coin de la rue
1945 Angel and Sinner
1946 Un revenant
1947 Carbon Copy
1947 Square of Knaves
1947 The Crowned Fish Tavern
1948 The Loves of Colette
1949 Between Eleven and Midnight
1949 The Sinners
1950 Lady Paname
1950 Lost Souvenirs
1950 Three Sinners
1950 Twelve Hours to Live
1951 Bluebeard
1951 Savage Triangle
1954 Madame du Barry
1957 Nathalie
1958 Maxime
1959 Guinguette
1959 Marie-Octobre
1959 The Cow and I
1960 It Happened All Night
1961 Madame
1962 Crime Does Not Pay
1962 The Devil and the Ten Commandments
1963 Don't Tempt the Devil
1964 Paris When It Sizzles
1964 The Black Tulip
1966 Paris in August
1968 The Man in the Buick
Story:
1933 La Dame de chez Maxim's
1933 The Merry Monarch
1937 French White Cargo
1937 Life Dances On
1937 Pépé le Moko
1937 The Lie of Nina Petrovna
1938 Hôtel du Nord
1938 Le Patriote
1938 The Curtain Rises
1938 The Shanghai Drama
1944 Carmen
1944 L'aventure est au coin de la rue
1945 Angel and Sinner
1946 Un revenant
1947 Carbon Copy
1947 Square of Knaves
1947 The Crowned Fish Tavern
1948 The Loves of Colette
1949 Between Eleven and Midnight
1949 The Sinners
1950 Lady Paname
1950 Lost Souvenirs
1950 Three Sinners
1950 Twelve Hours to Live
1951 Bluebeard
1951 Savage Triangle
1954 Madame du Barry
1957 Nathalie
1958 Maxime
1959 Guinguette
1959 Marie-Octobre
1959 The Cow and I
1960 It Happened All Night
1960 Wasteland
1961 Madame
1962 Crime Does Not Pay
1962 The Devil and the Ten Commandments
1963 Don't Tempt the Devil
1964 Paris When It Sizzles
1964 The Black Tulip
1966 Paris in August
1968 The Man in the Buick
Writer:
1933 La Dame de chez Maxim's
1933 The Girl from Maxim's
1933 The Merry Monarch
1934 Sidonie Panache
1936 Mister Flow
1937 French White Cargo
1937 Life Dances On
1937 Naples Under the Kiss of Fire
1937 Pépé le Moko
1937 The Lie of Nina Petrovna
1938 Hôtel du Nord
1938 Le Patriote
1938 Princess Tarakanova
1938 The Curtain Rises
1938 The Shanghai Drama
1944 Carmen
1944 L'aventure est au coin de la rue
1945 Angel and Sinner
1946 Un revenant
1947 Carbon Copy
1947 Square of Knaves
1947 The Crowned Fish Tavern
1947 The Damned
1948 In the Eyes of Memory
1948 Monelle
1948 The Loves of Colette
1949 Between Eleven and Midnight
1949 The Sinners
1950 Lady Paname
1950 Lost Souvenirs
1950 Three Sinners
1950 Twelve Hours to Live
1951 Bluebeard
1951 Savage Triangle
1951 The Moment of Truth
1952 Holiday for Henrietta
1952 The Man in My Life
1954 Daughters of Destiny
1954 Madame du Barry
1955 Nana
1957 Lovers of Paris
1957 Nathalie
1958 Maxime
1959 Atomic Agent
1959 Guinguette
1959 Marie-Octobre
1959 The Cow and I
1960 It Happened All Night
1960 Wasteland
1961 Long Live Henry IV... Long Live Love!
1961 Madame
1961 Operation Caviar
1961 This Time it Must Be Caviar
1962 Crime Does Not Pay
1962 The Devil and the Ten Commandments
1963 Don't Tempt the Devil
1963 The Sword and the Balance
1964 Champagne for Savages
1964 Paris When It Sizzles
1964 The Black Tulip
1965 Le Majordome
1966 Paris in August
1968 The Man in the Buick
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.