A work in constant progress (and occasional regress).
Alias:
Brad Kinnan
Birthplace:
Saginaw, Michigan, USA
Brad A. Kinnan is an award-winning director, photographer, editor, and film producer from Michigan. He cut his teeth in the film industry working on Ryan Gosling's directorial debut Lost River in Detroit before relocating to Los Angeles, California. Since then, he's worked on several feature films and television shows, including Westworld, Need for Speed, Key & Peele, Workaholics, Community, and Parenthood. In 2017, he founded the commercial production company DYNMC Creative with Adam Bussell and Colin Knighton, two fellow Michigan State University graduates living in Los Angeles. Since then, DYNMC has produced work for a wide variety of clientele, ranging from Mazda and Mitsubishi to Forbes and The Academy of Motion Picture Arts & Sciences. In 2022, Brad co-founded DYNMC Films, a boutique feature film production company focused on making socially impactful and stylistically unique feature films. His most recent narrative work includes the short WEIGHT, which was an official selection at the 2024 Oscar-Qualifying HollyShorts Film Festival and the Montreal International Black Film Festival, as well as Thirst, which he produced in collaboration with 20th Century Studios for Hulu's "Bite Size Halloween" television series alongside visionary writer/director and long-time friend Stefan Dezil. Brad also helped produce and edit Green Day's music video for "Dilemma," which was nominated for "Best Rock Video" at the 2024 VMA Awards. He has also directed several acclaimed music videos for successful recording artists: The Stampeders, The Midnight, FM-84, Ollie Wride, Jay Diggs, W O L F C L U B, Michael Oakley, Parallels, PRIZM, and The New Division. His music videos have been shown at film festivals around the world and have been featured on MTV, Rolling Stone, Pitchfork, Popdust, and Earmilk. When he's not shooting and directing, Brad DJs and produces electronica as SLACKMACHINE.
Assistant Director:
???? WEIGHT
Director:
???? Annie: Let Her Hair Down
???? Ollie Wride: Back to Life
???? Ollie Wride: I'm a Believer
???? Ollie Wride: The Driver
???? WEIGHT
Director of Photography:
???? Annie: Let Her Hair Down
???? Ollie Wride: Back to Life
???? Ollie Wride: I'm a Believer
???? Ollie Wride: The Driver
???? WEIGHT
Editor:
???? Annie: Let Her Hair Down
???? Ollie Wride: Back to Life
???? Ollie Wride: I'm a Believer
???? Ollie Wride: The Driver
???? WEIGHT
Producer:
2020 Thirst
???? Annie: Let Her Hair Down
???? MARTYRDOM
???? Ollie Wride: Back to Life
???? Ollie Wride: I'm a Believer
???? Ollie Wride: The Driver
???? WEIGHT
???? Weight
Production Design:
2020 Thirst
???? Annie: Let Her Hair Down
???? MARTYRDOM
???? Ollie Wride: Back to Life
???? Ollie Wride: I'm a Believer
???? Ollie Wride: The Driver
???? WEIGHT
???? Weight
Production Designer:
2020 Thirst
???? Annie: Let Her Hair Down
???? MARTYRDOM
???? Ollie Wride: Back to Life
???? Ollie Wride: I'm a Believer
???? Ollie Wride: The Driver
???? WEIGHT
???? Weight
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.