A work in constant progress (and occasional regress).
Birthplace:
United Kingdom
Wilfrid George Kirby Clarke is a British film director on his path to becoming one of cinema's leading auteurs and foremost experts in the weird and wild side of cinema, which he primarily draws inspiration from. Some of his favourite genres include Italian horror, Hong Kong action, and Japanese yakuza. Kirby Clarke's films frequently feature recurring imagery that fascinates him, often taken from his own dreams. The man generally works within the horror genre, but his films cover a wide range of subjects, and his work is frequently experimental in manner. He is the founder of independent film and music production company Suspicious Sounds Productions, in which he releases his many short films under.
Director:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Director of Photography:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Editor:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Music:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Producer:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Set Designer:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Sound:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2022 Yes, No, Goodbye
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Sound Editor:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2022 Yes, No, Goodbye
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Sound Mixer:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2022 Yes, No, Goodbye
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Sound Recordist:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2022 Yes, No, Goodbye
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Writer:
2022 Regeneration
2022 Suspicious Sounds of a Reclusive Housemate
2022 Yes, No, Goodbye
2023 Man of the House
2023 One Week
2024 Foreign Surface
2024 Linton Falls - A Study of the Force of Water
2024 Other Land
2024 Red Rocks
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.