Emil Woerner (b. 1997)

Birthplace:
Little Rock, Arkansas, USA

Born:
March 12, 1997

Emil Woerner is an American filmmaker, painter, and music producer from central Arkansas. Emil was drawn to cinema at a young age and as every new year passed he found freedom through expression and creativity. His work examines a broad range of themes, characters and emotions, best defined by his first feature directorial effort, The Skull and the Arm (2023). Stylistically, Emil has cultivated a brand known for surrealist elements, abstract imagery, abrasive and immersive sound design, and unnerving horror themed imagery. He also works as a film editor. Besides editing his own films, he has edited dozens of short films, the television pilot for Central (2019), and James Basham’s micro-feature The Yankee (2020). He looks forward to his next feature length directorial project, and is currently writing a psychological crime thriller titled Burn Out.

Additional information:

The Search Form


Co-Producer:
2023  The Skull and the Arm

Colorist:
2019  In My Dreams
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD

Costume Designer:
2019  In My Dreams
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD

Director:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD

Director of Photography:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Editor:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Executive Producer:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Music:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Producer:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Production Design:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  Baking
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Sound Designer:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  Baking
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Visual Effects:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  Baking
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

Writer:
2017  Downer
2018  The Screen
2019  In My Dreams
2019  Just Some Weird Shit
2020  The Horse Doesn't Work
2021  Baking
2021  In The Only Ocean
2023  THE TASTE OF NEON
2023  The Skull and the Arm
????  CARDBOARD
????  Frank

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.