A work in constant progress (and occasional regress).
Birthplace:
Little Rock, Arkansas, USA
Born:
March 12, 1997
Emil Woerner is an American filmmaker, painter, and music producer from central Arkansas. Emil was drawn to cinema at a young age and as every new year passed he found freedom through expression and creativity. His work examines a broad range of themes, characters and emotions, best defined by his first feature directorial effort, The Skull and the Arm (2023). Stylistically, Emil has cultivated a brand known for surrealist elements, abstract imagery, abrasive and immersive sound design, and unnerving horror themed imagery. He also works as a film editor. Besides editing his own films, he has edited dozens of short films, the television pilot for Central (2019), and James Basham’s micro-feature The Yankee (2020). He looks forward to his next feature length directorial project, and is currently writing a psychological crime thriller titled Burn Out.
Co-Producer:
2023 The Skull and the Arm
Colorist:
2019 In My Dreams
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
Costume Designer:
2019 In My Dreams
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
Director:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
Director of Photography:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Editor:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Executive Producer:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Music:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Producer:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Production Design:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 Baking
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Sound Designer:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 Baking
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Visual Effects:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 Baking
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Writer:
2017 Downer
2018 The Screen
2019 In My Dreams
2019 Just Some Weird Shit
2020 The Horse Doesn't Work
2021 Baking
2021 In The Only Ocean
2023 THE TASTE OF NEON
2023 The Skull and the Arm
???? CARDBOARD
???? Frank
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.