A work in constant progress (and occasional regress).
Birthplace:
Solo, Central Java, Indonesia
Born:
February 9, 2003
Ahmad Fauzan Musyafa is a passionate filmmaker and theatre enthusiast. Some of his work include : Patang Puluh Dina (2023) as director, Aku Ingin Memukul Meja ini Keras-keras (2023) as prop master, Faith/Survives (2024) as composer, Kecelakaan Reputasi (Soon to be released) as actor, and many more. He is also active in the theater world as he directed and written cabarets and acted on stages.
Assistant Camera:
2023 Eyesight
2024 Goodluck Mr. Genie
Best Boy Lighting Technician:
2023 Eyesight
2024 Goodluck Mr. Genie
2025 Lost In The Scene
Director:
2021 Loved One
2021 Time
2023 Eyesight
2023 Patang Puluh Dina
2024 Goodluck Mr. Genie
2025 Lost In The Scene
???? Memori Puasa
???? The Tears of the Restless Soul
Editor:
2021 Loved One
2021 Time
2023 Eyesight
2023 Patang Puluh Dina
2024 Goodluck Mr. Genie
2025 Lost In The Scene
???? Memori Puasa
???? The Tears of the Restless Soul
Music:
2021 Loved One
2021 Time
2023 Eyesight
2023 Patang Puluh Dina
2024 Faith/Survives
2024 Goodluck Mr. Genie
2025 Lost In The Scene
???? Memori Puasa
???? The Tears of the Restless Soul
Online Editor:
2021 Loved One
2021 Time
2023 Eyesight
2023 Patang Puluh Dina
2024 Faith/Survives
2024 Goodluck Mr. Genie
2025 Lost In The Scene
???? Memori Puasa
???? The Tears of the Restless Soul
Producer:
2021 Loved One
2021 Time
2023 Eyesight
2023 Patang Puluh Dina
2024 Faith/Survives
2024 Goodluck Mr. Genie
2025 Lost In The Scene
???? Memori Puasa
???? Nyewu
???? The Tears of the Restless Soul
Writer:
2021 Loved One
2021 Time
2023 Eyesight
2023 Patang Puluh Dina
2024 Faith/Survives
2024 Goodluck Mr. Genie
2025 Lost In The Scene
???? Memori Puasa
???? Nyewu
???? The Tears of the Restless Soul
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.