A work in constant progress (and occasional regress).
Archival Footage Research:
2015 Proyecto Jazz
Assistant Camera:
2015 Proyecto Jazz
Assistant Director:
2015 Proyecto Jazz
2016 La historia de Fulano
Assistant Director of Photography:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
Camera Operator:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2017 Días de verano
2021 Tromboneros
Colorist:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2017 Días de verano
2021 Tromboneros
Director:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2016 Mercado
2017 Días de verano
2021 Joaquín, mi primón
2021 Tromboneros
Director of Photography:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2016 Mercado
2017 Días de verano
2021 Joaquín, mi primón
2021 Tromboneros
Producer:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2016 Mercado
2017 Días de verano
2020 Barrunto
2021 Joaquín, mi primón
2021 Tromboneros
Producer's Assistant:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2016 Mercado
2017 Días de verano
2018 Refugios
2019 Bajo el agua
2020 Barrunto
2021 Joaquín, mi primón
2021 Tromboneros
2021 We Will Never Die
Production Assistant:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2016 Mercado
2017 Días de verano
2018 Refugios
2019 Bajo el agua
2020 Barrunto
2021 Joaquín, mi primón
2021 Tromboneros
2021 We Will Never Die
Thanks:
2015 Proyecto Jazz
2015 Vendedor de Tiempo
2016 La historia de Fulano
2016 Mercado
2017 Días de verano
2017 El silencio
2018 Refugios
2019 Bajo el agua
2020 Barrunto
2020 Santa Fe - notas, 2017-2019
2021 Joaquín, mi primón
2021 Tromboneros
2021 We Will Never Die
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.