A work in constant progress (and occasional regress).
Alias:
Cam
Birthplace:
Harlem, New York City, New York, USA
Born:
March 30, 2024
Cameron Carr is a born and bred Harlemite, Director and Creative Producer based out of NYC. As a pragmatic optimist, and ambition to become the Issa Rae/Jordan Peele/Donald Glover ultimate hybrid: After seven years of producing commercials at his Creative agency Alma Maters BBDO New York and Wieden+Kennedy NY - Cameron's constant mission is to continue to push, propel and create Black-led stories through film and creative, while spotlighting systemic inequities that often remain unconscious and unspoken in society. Cameron is coming off of his Writing and Directorial Debut for Harlem Fragments shot in March, backed by a $93K production budget in partnership with FUJIFILM, which latest accolades span from the Ida B. Wells Disrupting the Narrative Grant, and being selected for the 2023 DGA Shoot New Director Spotlight Showcase Cohort. Cameron's previous films he's assistant directed and produced have seen accelerated success on the festival circuit, from The Inventor Produced with a team of all Black producers, winning Best Historic Short at the 2022 Manhattan Film Festival and a run at 12 festivals prior to distribution with AMC, Sundance Grant recipient, Wild Darlings Sing the Blues (2024), Producing the Young Arts & Columbia Graduate University Dean's Grant recipient, CUFF Best Picture Winner Palm Sunday (2023), and Executive Producing and Assistant Directing Dances With Films Festival Grand Jury Winner, Speak Up Brotha! (2023), and Producing and Assistant Directing Silent Partner, directed by Eric Branco and starring Bronze Lens Best Actor Roderick Lawrence in collaboration with Black Man Films.
Director:
???? HARLEM FRAGMENTS
Executive Producer:
2023 Speak Up Brotha!
???? HARLEM FRAGMENTS
Producer:
2023 Palm Sunday
2023 Speak Up Brotha!
???? HARLEM FRAGMENTS
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.