A work in constant progress (and occasional regress).
Alias:
μμΌμ
VFX Supervisor:
2005 Mr. Socrates
2007 Hwang Jin Yi
2007 Seven Days
2009 A Blind River
2009 The Naked Kitchen
2009 The Scam
2010 Haunters
2010 I Saw the Devil
2010 The Man from Nowhere
2011 Battlefield Heroes
2012 The Thieves
2012 The Tower
2013 Pororo: The Racing Adventure
2014 Monster
2014 The Pirates
2015 The Deal
2015 The Priests
2016 The Map Against The World
2017 Blue Busking
2018 Burning
2018 Illang: The Wolf Brigade
2018 Mothers
2019 Ashfall
2019 Birthday
2019 My Punch-Drunk Boxer
2020 Oh! My Gran
2020 Stone Skipping
2021 Kingdom: Ashin of the North
2022 Ditto
2022 Hansan: Rising Dragon
2022 I Want to Know Your Parents
2022 Seoul Vibe
2022 The Roundup
2023 Phantom
Visual Effects:
2005 Mr. Socrates
2007 Hwang Jin Yi
2007 Seven Days
2009 A Blind River
2009 The Naked Kitchen
2009 The Scam
2010 Haunters
2010 I Saw the Devil
2010 The Man from Nowhere
2011 Battlefield Heroes
2012 The Thieves
2012 The Tower
2013 Pororo: The Racing Adventure
2014 Monster
2014 The Pirates
2015 The Deal
2015 The Priests
2016 The Map Against The World
2017 Blue Busking
2018 Burning
2018 Illang: The Wolf Brigade
2018 Mothers
2019 Ashfall
2019 Birthday
2019 My Punch-Drunk Boxer
2020 Oh! My Gran
2020 Stone Skipping
2021 Kingdom: Ashin of the North
2022 Ditto
2022 Hansan: Rising Dragon
2022 I Want to Know Your Parents
2022 Seoul Vibe
2022 The Roundup
2023 Phantom
2024 Land of Happiness
Visual Effects:
2023 Mask Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.