A work in constant progress (and occasional regress).
Birthplace:
Kansas, USA
Born:
January 29, 1996
Jane Evelyn Brown (born January 29, 1996) is an American filmmaker, editor, and writer. Her work often explores themes of gender, sexuality, isolation, and oppression and is characterized by mixed media. She edits primarily for herself and her romantic and creative partner Elaine Fuentes.
Additional Camera:
2025 I Wish I Were a Camera
Cinematography:
2023 Necessity: Transgender Kiss
2023 Saturn Devouring His Daughter
2024 Jane is OK
2025 I Wish I Were a Camera
Director:
2022 Dysphoria
2023 Breaking Up
2023 Go Nigel
2023 MCI-LAX
2023 Necessity: Transgender Kiss
2023 Necessity: Transgender Touch
2023 Saturn Devouring His Daughter
2023 That's Not Me
2024 Jane is OK
2024 Sanya
2024 YouTube Trilogy
2025 I Wish I Were a Camera
Editor:
2022 Dysphoria
2023 Breaking Up
2023 Friday
2023 Go Nigel
2023 MCI-LAX
2023 Necessity: Transgender Kiss
2023 Necessity: Transgender Touch
2023 Saturn Devouring His Daughter
2023 Scars Painted Over
2023 Sea of Black, Glimmer of Light
2023 Symbolic Interactionism
2023 That's Not Me
2024 Jane is OK
2024 Sanya
2024 YouTube Trilogy
2025 I Wish I Were a Camera
Writer:
2022 Dysphoria
2023 Breaking Up
2023 Friday
2023 Go Nigel
2023 MCI-LAX
2023 Necessity: Transgender Kiss
2023 Necessity: Transgender Touch
2023 Saturn Devouring His Daughter
2023 Scars Painted Over
2023 Sea of Black, Glimmer of Light
2023 Symbolic Interactionism
2023 That's Not Me
2024 Jane is OK
2024 Sanya
2024 YouTube Trilogy
2025 I Wish I Were a Camera
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.