A work in constant progress (and occasional regress).
Assistant Director:
2023 ACCIÓ!
Camera Operator:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2024 JAUME
Casting:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2023 Lo bueno es para siempre - ColaCao
2024 JAUME
Producer:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2023 Lo bueno es para siempre - ColaCao
2024 JAUME
2024 RED WARRIOR
2024 Vestigis
Production Assistant:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2023 Lo bueno es para siempre - ColaCao
2024 JAUME
2024 RED WARRIOR
2024 Vestigis
Production Director:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2023 Lo bueno es para siempre - ColaCao
2024 JAUME
2024 RED WARRIOR
2024 Vestigis
Production Manager:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2023 Lo bueno es para siempre - ColaCao
2024 JAUME
2024 RED WARRIOR
2024 Vestigis
Production Sound Mixer:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2023 Lo bueno es para siempre - ColaCao
2024 JAUME
2024 RED WARRIOR
2024 Vestigis
Writer:
2021 EL FALS DOCUMENTAL: Una metàfora de la realitat
2021 Night Owls
2022 PLA/CONTRAPLÀ
2023 ACCIÓ!
2023 Lo bueno es para siempre - ColaCao
2024 JAUME
2024 RED WARRIOR
2024 Vestigis
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.