Mstyslav Chernov (b. 1985)

Alias:
Mstyslav Andriyovych Chernov
Mścisław Czernow
Мстислав Андреевич Чернов
Мстислав Андрійович Чернов
Мстислав Чернов
ムスチスラフ・チェルノフ

Birthplace:
Kharkov, Ukrainian SSR, USSR [now Kharkiv, Ukraine]

Born:
January 1, 1985

Mstyslav Andriyovych Chernov (Ukrainian: Мстислав Андрійович Чернов; born 1985; Kharkiv) is a Ukrainian videographer, photographer, photojournalist, filmmaker, war correspondent and novelist known for his coverage of the Revolution of Dignity, War in Donbas, the downing of flight MH17, Syrian civil war, Battle of Mosul in Iraq, and the 2022 Russian invasion of Ukraine, including the Siege of Mariupol.  For his work on the Siege of Mariupol he received the Pulitzer Prize for Public Service, Deutsche Welle Freedom of Speech Award, the Knight International Journalism Awards, Bayeux Calvados-Normandy Award, Elijah Parish Lovejoy Award, Free Media Awards, CJFE International Press Freedom Award, Royal Television Society Television Journalism Awards. Video materials from Mariupol became the basis of the film 20 Days in Mariupol, which was included in the competition program of the Sundance Film Festival in 2023. The film won the Audience Award in World Cinema Documentary category. In 2023, he shared the Pulitzer Prize for Public Service with Evgeniy Maloletka, Vasilisa Stepanenko, and Lori Hinnant. He has both won and been a finalist for the Livingston Award, Rory Peck Award, Reporters Without Borders Press Freedom Prize, and various Royal Television Society awards.

Additional information:

The Search Form


Camera Operator:
2023  20 Days in Mariupol

Director:
2023  20 Days in Mariupol
2025  2000 Meters to Andriivka

Director of Photography:
2023  20 Days in Mariupol
2025  2000 Meters to Andriivka

Producer:
2023  20 Days in Mariupol
2025  2000 Meters to Andriivka

Screenstory:
2023  20 Days in Mariupol
2025  2000 Meters to Andriivka

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.