A work in constant progress (and occasional regress).
Alias:
Mstyslav Andriyovych Chernov
Mścisław Czernow
Мстислав Андреевич Чернов
Мстислав Андрійович Чернов
Мстислав Чернов
ムスチスラフ・チェルノフ
Birthplace:
Kharkov, Ukrainian SSR, USSR [now Kharkiv, Ukraine]
Born:
January 1, 1985
Mstyslav Andriyovych Chernov (Ukrainian: Мстислав Андрійович Чернов; born 1985; Kharkiv) is a Ukrainian videographer, photographer, photojournalist, filmmaker, war correspondent and novelist known for his coverage of the Revolution of Dignity, War in Donbas, the downing of flight MH17, Syrian civil war, Battle of Mosul in Iraq, and the 2022 Russian invasion of Ukraine, including the Siege of Mariupol. For his work on the Siege of Mariupol he received the Pulitzer Prize for Public Service, Deutsche Welle Freedom of Speech Award, the Knight International Journalism Awards, Bayeux Calvados-Normandy Award, Elijah Parish Lovejoy Award, Free Media Awards, CJFE International Press Freedom Award, Royal Television Society Television Journalism Awards. Video materials from Mariupol became the basis of the film 20 Days in Mariupol, which was included in the competition program of the Sundance Film Festival in 2023. The film won the Audience Award in World Cinema Documentary category. In 2023, he shared the Pulitzer Prize for Public Service with Evgeniy Maloletka, Vasilisa Stepanenko, and Lori Hinnant. He has both won and been a finalist for the Livingston Award, Rory Peck Award, Reporters Without Borders Press Freedom Prize, and various Royal Television Society awards.
Camera Operator:
2023 20 Days in Mariupol
Director:
2023 20 Days in Mariupol
2025 2000 Meters to Andriivka
Director of Photography:
2023 20 Days in Mariupol
2025 2000 Meters to Andriivka
Producer:
2023 20 Days in Mariupol
2025 2000 Meters to Andriivka
Screenstory:
2023 20 Days in Mariupol
2025 2000 Meters to Andriivka
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.