A work in constant progress (and occasional regress).
Alias:
Bailey
Nemo is Wisconsin’s Premiere drag teen and has been crowned Miss Wisconsin Youth Entertainer 2022. Nemo started performing drag at the age of 14 in 2020 by making her own videos posted to IG and YouTube. In 2021 Nemo started performing live and has been featured in over 20 shows including shows with Trinity the Tuck and Joey Jay. Nemo has produced her own shows at both “Five Nightclub” and “This Is It” in Wisconsin and has traveled to Denver to perform as part of the documentary series Generation Drag which will air this summer on Discovery Plus. At the age of 16, Nemo is known for blending theater, dance and contortion. As a member of the trans community, Nemo is passionate about activism and uses her voice to fight for equality for the Trans Youth community. Nemo has been featured in “Our Lives Magazine”, “Capital Times” and “Comic Sands”.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.