A work in constant progress (and occasional regress).
Birthplace:
Philadelphia, Pennsylvania, USA
Born:
November 8, 1985
Isaiah Bradley, a Philadelphia native, studied business at Temple University, and is now an NYC-based, autodidactic filmmaker. He's been in the industry since 2018 and has worked in LA and NYC. Isaiah is interested in creating films that imitate life by exploiting simple yet viscerally emotional crises. Caste systems are an important part of his identity so constructing characters in gently existential portraits and setting them in modern urban landscapes has been a common motif in his work and offer unique viewpoints on the common realities of minorities.
Camera Operator:
2022 D Train Through Bensonhurst
Director:
2022 Ayo Mama Shoot
2022 D Train Through Bensonhurst
2022 Expecting
2022 Portrait of Melissa
Director of Photography:
2022 Ayo Mama Shoot
2022 D Train Through Bensonhurst
2022 Expecting
2022 Portrait of Melissa
Producer:
2022 Ayo Mama Shoot
2022 D Train Through Bensonhurst
2022 Expecting
2022 Portrait of Melissa
Writer:
2022 Ayo Mama Shoot
2022 D Train Through Bensonhurst
2022 Expecting
2022 Portrait of Melissa
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.