A work in constant progress (and occasional regress).
Alias:
Venceslao Vich
Birthplace:
Karlsbad, Bohemia, Austria-Hungary [now Karlovy Vary, Czech Republic]
Born:
January 19, 1898
Died:
September 14, 1966
Camera Operator:
1928 Prague at Night
1930 St. Wenceslas
1931 The Case of Colonel Redl
1933 Prodaná nevěsta
1960 Giuseppina
Cinematography:
1928 Prague at Night
1930 St. Wenceslas
1931 The Case of Colonel Redl
1933 Prodaná nevěsta
1937 Tonight at Eleven
1938 Amicizia
1941 Primo amore
1954 La tua donna
1960 Giuseppina
Director of Photography:
1923 The Kidnapping of Fux the Banker
1924 Dvojí život
1924 Děvče z hor
1925 Do panského stavu
1926 Otec Kondelík a ženich Vejvara I.
1926 Pohádka máje
1926 Válečné tajnosti pražské
1927 Dva bratři
1927 Osud vdovy Novákové
1927 Otec Kondelík a ženich Vejvara II.
1927 Schweik in Russian Captivity
1928 Prague at Night
1928 Ve dvou se to lépe táhne
1929 Bujná krev
1929 Podskalák
1929 Tchán Kondelík a zeť Vejvara
1929 Z lásky
1930 Behind the birthstone
1930 Big City Jungle
1930 Erotikon
1930 Fidlovačka
1930 Her Boy
1930 Imperial and Royal Field Marshal
1930 Pimp girls
1930 St. Wenceslas
1931 Darling of the regiment
1931 From Saturday to Sunday
1931 Karel Havlíček Borovský
1931 Men on the Offsides
1931 Naceradec, King of Kibitzer
1931 The Case of Colonel Redl
1931 The Dogheads
1931 The Robber
1932 Before Graduation
1932 Powder and Petrol
1932 Small-sided musketeers
1932 Storm in Tatra
1932 The Innkeeper 'At the Wild Beauty'
1932 Your Money or Your Life
1933 Dům na předměstí
1933 Eaten Out of House and Home
1933 Life Is a Dog
1933 Prodaná nevěsta
1933 Skřivánčí píseň
1933 U svatého Antoníčka
1933 Vražda v Ostrovní ulici
1933 Ze světa lesních samot
1933 Štvaní lidé
1934 Dokud máš maminku
1934 Hrdinný kapitán Korkorán
1934 Hudba srdcí
1934 Matka Kráčmerka
1934 Mazlíček
1934 Pokušení paní Antonie
1934 V tom domečku pod Emauzy
1934 Volga in Flames
1934 Zlatá Kateřina
1935 Grandhotel Nevada
1935 Koho jsem včera líbal?
1935 Král ulice
1935 Pan otec Karafiát
1935 První políbení
1935 Studentská máma
1936 Cavalleria
1936 The Golem
1937 Ballerine
1937 I Was to Blame
1937 I fratelli Castiglioni
1937 Regina della Scala
1937 Tonight at Eleven
1938 Amicizia
1938 Ettore Fieramosca
1938 Il conte di Bréchard
1939 An Adventure of Salvator Rosa
1939 Il segreto inviolabile
1939 You Love Me, I Love You
1940 Fanfulla da Lodi
1940 Incanto di mezzanotte
1940 La última Falla
1940 Senza cielo
1940 The Sinner
1941 Primo amore
1941 The Iron Crown
1942 Four Steps in the Clouds
1944 Nebbie sul mare
1946 Eugenia Grandet
1946 Un americano in vacanza
1947 Daniele Cortis
1947 Nightbeat
1948 Arrivederci, papà!
1948 L'ebreo errante
1948 Una lettera all'alba
1951 Die Sünderin
1951 Miracles Still Happen
1951 The Lost One
1952 Nights on the Road
1953 La passeggiata
1953 The Suitcase of Dreams
1954 Il matrimonio
1954 La tua donna
1954 The Cheerful Squadron
1956 Pulverschnee nach Übersee
1957 Der tolle Bomberg
1957 Te stò aspettanno
1958 Escape from Sahara
1958 La nipote Sabella
1959 Adventure in Capri
1959 Cerasella
1960 Giuseppina
1960 The Giants of Thessaly
1961 L'onorata società
1961 On Friday at Eleven
1961 Verdammt die jungen Sünder nicht
1962 Peccati d'estate
1962 Romanze in Venedig
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.