A work in constant progress (and occasional regress).
Birthplace:
Santa Fe, Argentina
Assistant Camera:
2020 El caníbal
Camera Operator:
2016 La historia de Fulano
2018 Jazmin
2020 El caníbal
2022 Demonio Eclipse Rojo
Cinematography:
2016 La historia de Fulano
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Color Grading:
2016 La historia de Fulano
2017 Desde Adentro
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Director:
2016 La historia de Fulano
2017 Desde Adentro
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Editor:
2016 La historia de Fulano
2017 Desde Adentro
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Electrician:
2016 La historia de Fulano
2017 Cauce
2017 Desde Adentro
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Gaffer:
2016 La historia de Fulano
2017 Cauce
2017 Desde Adentro
2017 Pendeviejos
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Producer:
2016 La historia de Fulano
2017 Cauce
2017 Desde Adentro
2017 Pendeviejos
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Thanks:
2016 La historia de Fulano
2017 Cauce
2017 Desde Adentro
2017 El silencio
2017 Pendeviejos
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
Video Assist Operator:
2016 La historia de Fulano
2017 Cauce
2017 Desde Adentro
2017 El silencio
2017 Pendeviejos
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
2022 Rhino
Writer:
2016 La historia de Fulano
2017 Cauce
2017 Desde Adentro
2017 El silencio
2017 Pendeviejos
2018 Jazmin
2020 El caníbal
2020 Hellfie
2022 Demonio Eclipse Rojo
2022 Rhino
Assistant Camera:
2018 Prohibido Silbar
2019 Derecho Viejo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.