A work in constant progress (and occasional regress).
Birthplace:
Santa Fe, Argentina
Born:
March 21, 1984
José David Apel (1984, Santa Fe, Argentina) studied film and television at the Instituto Superior de Cine y Artes Audiovisuales (ISCAA) in Santa Fe. He is an audiovisual director, musician, and writer. He has attended international clinics at: Bolivia Lab Guión (Bolivia), LabGuion Cinefilia (Colombia), Incubadora Documental (Argentina), Raymundo Gleyzer (Argentina), and the International Screenwriting Clinic at "El Fantástico Teatro Latino Experimental" (Fantastic Latin Experimental Theater), tutored by Rafael Urrea (USA). He holds a Master's degree in Documentary Film from the International School of Film and Television of Cuba (EICTV). He has edited two literary works: "Montefiore" (2009) and "El amor existe atando ligas en el corazón" (Love Exists Ating Ligas in the Heart) (2010). His work includes short documentaries that have been selected at festivals in more than fifty countries around the world and have received awards and mentions.
Assistant Production Coordinator:
2022 Rhino
Director:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Director of Photography:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Editor:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Executive Producer:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Music:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2017 La Puerta Condenada
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Producer:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2017 La Puerta Condenada
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Production Assistant:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2017 La Puerta Condenada
2018 Air
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Sound:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2017 La Puerta Condenada
2018 Air
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Writer:
2015 La Carneada
2016 Totamate
2017 Bolivia Extraña Sinfonía
2017 La Puerta Condenada
2018 Air
2018 La Raíz del Loto
2021 El Anzuelo no Morderás
2022 Rhino
2023 La alegoría de la cueva
2024 La Historia de un Marinero
???? The Allegory of the Cave
Production Assistant:
2020 Animalia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.