A work in constant progress (and occasional regress).
Assistant Director:
2024 Watch Me
Boom Operator:
2022 Kerosene and Leadpipes
2024 Watch Me
Camera Operator:
2021 Keys to the Heart
2022 Kerosene and Leadpipes
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2024 Watch Me
Director:
2021 Keys to the Heart
2022 Kerosene and Leadpipes
2022 On Air
2023 In the Limelight
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2024 Watch Me
Editor:
2021 Keys to the Heart
2022 Kerosene and Leadpipes
2022 On Air
2023 In the Limelight
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2024 Watch Me
Key Grip:
2021 It Calls
2021 Keys to the Heart
2022 Kerosene and Leadpipes
2022 On Air
2023 In the Limelight
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2024 Watch Me
Producer:
2021 It Calls
2021 Keys to the Heart
2022 Kerosene and Leadpipes
2022 On Air
2023 In the Limelight
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2024 Watch Me
2025 Modern Samurai 2: The Last Modern Samurai
Production Assistant:
2021 It Calls
2021 Keys to the Heart
2022 Kerosene and Leadpipes
2022 On Air
2023 In the Limelight
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2023 There's Something Inside Your Head
2024 Six Nights at Simpson's 3: Brother Location
2024 Watch Me
2025 Modern Samurai 2: The Last Modern Samurai
Writer:
2021 It Calls
2021 Keys to the Heart
2022 Kerosene and Leadpipes
2022 On Air
2023 In the Limelight
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2023 There's Something Inside Your Head
2024 Six Nights at Simpson's 3: Brother Location
2024 Watch Me
2025 Modern Samurai 2: The Last Modern Samurai
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.