A work in constant progress (and occasional regress).
Boom Operator:
2023 In the Limelight
Color Grading:
2023 In the Limelight
2024 Six Nights at Simpson's 3: Brother Location
Director:
2022 Six Nights at Simpson's
2023 Hurtgen Forest
2023 In the Limelight
2023 Six Nights at Simpson's 2: Security Break
2024 Six Nights at Simpson's 3: Brother Location
2024 The Fight Before Christmas
Editor:
2022 Six Nights at Simpson's
2023 Hurtgen Forest
2023 In the Limelight
2023 Six Nights at Simpson's 2: Security Break
2024 Six Nights at Simpson's 3: Brother Location
2024 The Fight Before Christmas
First Assistant Director:
2022 Six Nights at Simpson's
2022 Urban Combat
2023 Hurtgen Forest
2023 In the Limelight
2023 Six Nights at Simpson's 2: Security Break
2024 Six Nights at Simpson's 3: Brother Location
2024 The Fight Before Christmas
Grip:
2021 The Killing Business
2022 Six Nights at Simpson's
2022 Urban Combat
2023 Hurtgen Forest
2023 In the Limelight
2023 Six Nights at Simpson's 2: Security Break
2024 Six Nights at Simpson's 3: Brother Location
2024 The Fight Before Christmas
Sound Recordist:
2021 The Killing Business
2022 Six Nights at Simpson's
2022 Urban Combat
2023 Fear Freak
2023 Hurtgen Forest
2023 In the Limelight
2023 Modern Samurai
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2024 Six Nights at Simpson's 3: Brother Location
2024 The Fight Before Christmas
Writer:
2021 The Killing Business
2022 Six Nights at Simpson's
2022 Urban Combat
2023 Fear Freak
2023 Hurtgen Forest
2023 In the Limelight
2023 Modern Samurai
2023 Red Jacket
2023 Six Nights at Simpson's 2: Security Break
2024 Six Nights at Simpson's 3: Brother Location
2024 The Fight Before Christmas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.