A work in constant progress (and occasional regress).
Alias:
Miguel Picazo de Dios
Birthplace:
Cazorla, Jaén, Spain
Born:
March 27, 1927
Died:
April 23, 2016
Miguel Picazo de Dios (27 March 1927 – 23 April 2016)[1] was a Spanish film director, screenwriter and actor. He is best known for his first feature film La tía Tula (Aunt Tula) (1964). Born in Cazorla (Jaén), Picazo was raise in Guadalajara and studied law. Interested in filmmaking, he entered Spain's national film school, Intituto de investigaciones y Experiencias Cinematográficas, graduating as director in 1960 with a practice film entitled Habitación de alquiler (Rented Room). He then became a teacher in the newly restructured Escuela Oficial de Cine (EOC) and eventually he was able to direct his first film, La tía Tula (Aunt Tula) (1964). An updated adaptation of the well known novel by Miguel de Unamuno, portraying the oppressive and puritanical environment of provincial life in Spain. The film, helped by a strong performance in the lead by Aurora Bautista as the sexually repressed title character, was a critical and commercial success and brought Picazo to the forefront of the new Spanish cinema. Despite the success of his debut film, it took Picazo three years to make his second film, Oscuros sueños de agosto (Dark dreams of August) (1967), a film marred by cuts by the censors and the death of the film's producer, Cesáreo González which hampered commercial distribution. This failure put Picazo away from filming for the next nine years.
Director:
1964 Aunt Tula
1967 Oscuros sueños de agosto
1976 El hombre que supo amar
1977 The Clear Motives of Desire
1980 Man on Pink Corner
1985 Beyond the Walls
Screenplay:
1964 Aunt Tula
1967 Oscuros sueños de agosto
1976 El hombre que supo amar
1977 The Clear Motives of Desire
1980 Man on Pink Corner
1985 Beyond the Walls
Writer:
1964 Aunt Tula
1967 Oscuros sueños de agosto
1976 El hombre que supo amar
1977 The Clear Motives of Desire
1980 Man on Pink Corner
1985 Beyond the Walls
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.