A work in constant progress (and occasional regress).
Hannah Hildebrandt is an Art Director based out of Atlanta. Originally from Baltimore, she has been working in the professional film industry since 2017 and is a member of the Art Director's Guild. In addition to her work on large-scale productions, she also works on independent films as a Production Designer and Producer.
Art Department Assistant:
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
Art Department Coordinator:
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
2021 Red Notice
2022 The Contractor
2023 The Color Purple
Assistant Art Director:
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
2021 Red Notice
2022 The Contractor
2023 Pain Hustlers
2023 The Color Purple
Associate Producer:
2016 Campus Police
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
2021 Red Notice
2022 The Contractor
2023 Pain Hustlers
2023 The Color Purple
Costume Designer:
2016 Campus Police
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
2021 Red Notice
2022 The Contractor
2023 Pain Hustlers
2023 The Color Purple
2024 A.L.E.C.
Producer:
2016 Campus Police
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
2021 Red Notice
2022 The Contractor
2023 Pain Hustlers
2023 The Color Purple
2024 A.L.E.C.
Production Design:
2016 Campus Police
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
2021 Red Notice
2022 The Contractor
2023 Pain Hustlers
2023 The Color Purple
2024 A.L.E.C.
Set Decoration:
2016 Campus Police
2019 Zombieland: Double Tap
2020 Hillbilly Elegy
2021 Red Notice
2022 The Contractor
2023 Pain Hustlers
2023 The Color Purple
2024 A.L.E.C.
Art Department Assistant:
2020 Sweet Magnolias
Assistant Art Director:
2020 Sweet Magnolias
2024 Agatha All Along
Casting Director:
2016 CopyCat Killers
2020 Sweet Magnolias
2024 Agatha All Along
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.