A work in constant progress (and occasional regress).
Birthplace:
Barranquilla, Colombia
Jessica Sofía Mitrani, formerly known as Jessica Grossman, is a filmmaker and visual artist from Barranquilla. She has studied law and holds a master’s degree in Theatre Directing. Her approach to film began through theatre, working with the New Stage theatre company, where she co-directed multimedia performances. She has been involved in various aspects of filmmaking, from screenwriting and video production to costume design. She shot her first short film in 1999, titled Rita Goes to the Supermarket (2000), which was screened at several film festivals and included in the permanent collections of multiple museums and institutions. Her filmography includes works such as the fictional short film Mary Jane (2006), the short and artistic installation Headpieces for Peace (2011-2014), La Divanee (2013), Traveling Lady / The Perfect Brand (2014-2015), Visit a Plant (2016), among others. Mitrani received a grant from the Hermès Foundation in support of her film Traveling Lady, which was showcased at the Crossing the Line festival in New York, the New Settings program in Paris, the Soluna International Music and Arts Festival in Dallas, and the Museo del Chopo in Mexico City. In 2016, her theatrical collaboration The Undertaking was featured at the Brooklyn Academy of Music as part of its New Wave Festival and performed at Ryan McNamara’s Back to School at MoMA PS1 in New York. In 2018, she conceived, wrote, and directed A Crucigramista, a short film that is part of the América Invertida series for ARTE1 channel in Brazil.
Director:
2000 Rita goes to the Supermarket
2006 Mary Jane
2006 Nurse
Editor:
2000 Rita goes to the Supermarket
2006 Mary Jane
2006 Nurse
Writer:
2000 Rita goes to the Supermarket
2006 Mary Jane
2006 Nurse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.