A work in constant progress (and occasional regress).
Born:
December 8, 2002
Natalie Mahoney is an award-winning photographer and filmmaker from Staten Island, NY. She recently graduated with. B.A in TV/Film from DeSales University and is moving on to get an MFA at The City College of New York's MFA Fiction Film program. She has experience in both filmmaking and helping young creatives conceive, construct, and produce their own projects. Natalie wants to be able to inspire and encourage others with her work, and watch others tell their own stories through the many mediums of the arts!
Assistant Camera:
2024 The Gym Girl
Assistant Director:
2021 Intersections
2022 Hoodies
2024 The Gym Girl
BTS Photographer:
2021 Intersections
2022 Hoodies
2024 Fortune Untold
2024 The Gym Girl
Camera Operator:
2021 Intersections
2022 Hoodies
2024 Fortune Untold
2024 The Gym Girl
???? The Santa Fraus
Cinematography:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2024 Fortune Untold
2024 The Gym Girl
???? The Santa Fraus
Director:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2023 Ballad of a Permavirgin
2024 Borrowed Time
2024 Fortune Untold
2024 See You Soon, Stella!
2024 The Gym Girl
???? Cupcake
???? The Santa Fraus
???? Tonight
Director of Photography:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2023 Ballad of a Permavirgin
2023 The Hammy Situation
2023 The Red Carpet
2024 Borrowed Time
2024 Fortune Untold
2024 See You Soon, Stella!
2024 The Gym Girl
???? Cupcake
???? The Santa Fraus
???? Tonight
Editor:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2023 Ballad of a Permavirgin
2023 The Hammy Situation
2023 The Red Carpet
2024 Borrowed Time
2024 Fortune Untold
2024 See You Soon, Stella!
2024 The Gym Girl
???? Cupcake
???? The Santa Fraus
???? Tonight
First Assistant Director:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2023 Ballad of a Permavirgin
2023 The Hammy Situation
2023 The Red Carpet
2024 Borrowed Time
2024 Fortune Untold
2024 See You Soon, Stella!
2024 The Gym Girl
???? Cupcake
???? The Santa Fraus
???? Tonight
???? Two Bros One Phone
Producer:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2023 Ballad of a Permavirgin
2023 The Hammy Situation
2023 The Red Carpet
2024 Borrowed Time
2024 Fortune Untold
2024 See You Soon, Stella!
2024 The Gym Girl
???? Cupcake
???? The Santa Fraus
???? Tonight
???? Two Bros One Phone
Sound Mixer:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2023 Ballad of a Permavirgin
2023 The Hammy Situation
2023 The Red Carpet
2024 Borrowed Time
2024 Fortune Untold
2024 See You Soon, Stella!
2024 The Gym Girl
???? Cupcake
???? The Santa Fraus
???? Tonight
???? Two Bros One Phone
Writer:
2021 Intersections
2022 Hoodies
2022 Lost + Found
2023 Ballad of a Permavirgin
2023 The Hammy Situation
2023 The Red Carpet
2024 Borrowed Time
2024 Fortune Untold
2024 See You Soon, Stella!
2024 The Gym Girl
???? Cupcake
???? The Santa Fraus
???? Tonight
???? Two Bros One Phone
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.