A work in constant progress (and occasional regress).
Birthplace:
Evanston, Illinois, USA
Born:
April 21, 2006
Trained at the New York City School of the Arts and continuing his work at the San Diego School of the Creative And Performing Arts, Cesaire Jose Carroll-Dominguez is a filmmaker, actor, writer, and artist. His recent projects include the digital art piece Mapping San Diego and the short Regulate TikTok. He has contributed to performances by the art collective *particle group.* His work has appeared with or in Crossed lines and Imagined Theatres (the other balcony per Genet). His photography and film have received several awards, Including IVIE awards in 2021 and 2022. One of his films, Chicano Park: A Cinematic Poem, was an offical selection of the 2022 San Diego Latino Film Festival. Other pieces have been exhibited in musems such as MCASD and MOPA. He currently is a fellow at UCSD through the Jacobs Youth Community Scholars program, a member of the Outside The Lens Youth Council, and a 2022 summer fellow at the Reel Voices program in San Diego, California.
Director:
2021 Chicano Park; A Cinematic Poem
2022 Jean Cocteau's The Human Voice
2022 Logging Linda Vista; An improper fish
2023 Fully Loaded Gun: An Exquisite Corpse
Director of Photography:
2021 Chicano Park; A Cinematic Poem
2022 Jean Cocteau's The Human Voice
2022 Logging Linda Vista; An improper fish
2023 Fully Loaded Gun: An Exquisite Corpse
Executive Producer:
2021 Chicano Park; A Cinematic Poem
2022 Jean Cocteau's The Human Voice
2022 Logging Linda Vista; An improper fish
2023 Barkley Dubis' Danse Macabre
2023 Fully Loaded Gun: An Exquisite Corpse
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
Producer:
2021 Chicano Park; A Cinematic Poem
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Jean Cocteau's The Human Voice
2022 Logging Linda Vista; An improper fish
2023 Barkley Dubis' Danse Macabre
2023 Fully Loaded Gun: An Exquisite Corpse
2023 I am Perfectly Normal: Part II
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
Production Assistant:
2021 Chicano Park; A Cinematic Poem
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Jean Cocteau's The Human Voice
2022 Logging Linda Vista; An improper fish
2023 Barkley Dubis' Danse Macabre
2023 Fully Loaded Gun: An Exquisite Corpse
2023 I am Perfectly Normal: Part II
2023 Pandemic Bread
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
Writer:
2021 Chicano Park; A Cinematic Poem
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Jean Cocteau's The Human Voice
2022 Logging Linda Vista; An improper fish
2023 Barkley Dubis' Danse Macabre
2023 Fully Loaded Gun: An Exquisite Corpse
2023 I am Perfectly Normal: Part II
2023 Pandemic Bread
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.