A work in constant progress (and occasional regress).
Alias:
Paul Barkley-Zen Dubis
Birthplace:
San Diego, California, USA
Born:
September 23, 2005
Paul Barkley-Zen Dubis (born September 23rd, 2005) is an American filmmaker, artist, comedian, composer, writer, and animator. His work is known for its extensive focus on the routines of aberrant subjects and characters, unstable documentary style cinematography, jump cuts, dark humor, and use of static noise.
Camera Operator:
2022 I am Perfectly Normal: Part I
2023 I am Perfectly Normal: Part II
Co-Director:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2023 I am Perfectly Normal: Part II
Co-Writer:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2023 I am Perfectly Normal: Part II
2024 Motherly Sexcapades
Director:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Lament I
2022 Promenade
2022 Tap Man
2023 Barkley Dubis' Danse Macabre
2023 I am Perfectly Normal: Part II
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
2025 I am Perfectly Normal Director's Cut
Director of Photography:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Lament I
2022 Promenade
2022 Tap Man
2023 Barkley Dubis' Danse Macabre
2023 I am Perfectly Normal: Part II
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
2025 I am Perfectly Normal Director's Cut
Editor:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Jean Cocteau's The Human Voice
2022 Lament I
2022 Promenade
2022 Tap Man
2023 Barkley Dubis' Danse Macabre
2023 I am Perfectly Normal: Part II
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
2025 I am Perfectly Normal Director's Cut
Music:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Jean Cocteau's The Human Voice
2022 Lament I
2022 Promenade
2022 Tap Man
2023 Barkley Dubis' Danse Macabre
2023 I am Perfectly Normal: Part II
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
2025 I am Perfectly Normal Director's Cut
Producer:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Jean Cocteau's The Human Voice
2022 Lament I
2022 Promenade
2022 Tap Man
2023 Barkley Dubis' Danse Macabre
2023 Fully Loaded Gun: An Exquisite Corpse
2023 I am Perfectly Normal: Part II
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
2025 I am Perfectly Normal Director's Cut
Writer:
2022 Frates in Inferno
2022 I am Perfectly Normal: Part I
2022 Impure Thoughts in South Corona
2022 Jean Cocteau's The Human Voice
2022 Lament I
2022 Promenade
2022 Tap Man
2023 Barkley Dubis' Danse Macabre
2023 Fully Loaded Gun: An Exquisite Corpse
2023 I am Perfectly Normal: Part II
2024 I am Perfectly Normal: Part III
2024 Motherly Sexcapades
2025 I am Perfectly Normal Director's Cut
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.