A work in constant progress (and occasional regress).
Birthplace:
Wien, Austria
Born:
March 3, 1900
Died:
April 11, 1984
Lyricist:
1930 The Road to Dishonour
1932 Two in a Car
1935 Bretter, die die Welt bedeuten
1935 Four and a Half Musketeers
Music:
1930 The Road to Dishonour
1932 Two in a Car
1935 Bretter, die die Welt bedeuten
1935 Four and a Half Musketeers
1953 Ich und meine Frau
Original Story:
1930 The Road to Dishonour
1932 Two in a Car
1935 Bretter, die die Welt bedeuten
1935 Four and a Half Musketeers
1945 Strange Illusion
1953 Ich und meine Frau
Screenplay:
1930 The Road to Dishonour
1932 Two in a Car
1935 Bretter, die die Welt bedeuten
1935 Four and a Half Musketeers
1945 Strange Illusion
1952 Nights on the Road
1953 Ich und meine Frau
1959 Die Halbzarte
Songs:
1930 The Road to Dishonour
1932 Two in a Car
1933 Laughing Heirs
1935 Bretter, die die Welt bedeuten
1935 Four and a Half Musketeers
1945 Strange Illusion
1952 Nights on the Road
1953 Ich und meine Frau
1959 Die Halbzarte
Story:
1930 The Road to Dishonour
1932 Two in a Car
1933 Laughing Heirs
1935 Bretter, die die Welt bedeuten
1935 Four and a Half Musketeers
1945 Strange Illusion
1945 The Beautiful Cheat
1947 Something in the Wind
1950 September Affair
1952 Nights on the Road
1953 Ich und meine Frau
1953 When the White Lilacs Bloom Again
1959 Die Halbzarte
Writer:
1929 The Wonderful Lies of Nina Petrovna
1930 Love Comes But Once
1930 Love in the Ring
1930 The Road to Dishonour
1932 Modern dowry
1932 Strich durch die Rechnung
1932 Two in a Car
1933 Laughing Heirs
1933 Madame Wants No Children
1935 Bretter, die die Welt bedeuten
1935 Four and a Half Musketeers
1935 Little Mother
1945 Strange Illusion
1945 The Beautiful Cheat
1947 Something in the Wind
1950 September Affair
1952 Nights on the Road
1953 Ich und meine Frau
1953 When the White Lilacs Bloom Again
1959 Die Halbzarte
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.