A work in constant progress (and occasional regress).
Born in Sweden, raised in China, Japan and France, Louis Mellinand has truly experienced a variety of cultures that have impacted his vision as a cinematographer. His extensive knowledge of this craft has been enhanced by experience on professional film sets which has enabled him to communicate efficiently with crew and fulfill the director's vision successfully.
Cinematography:
2024 Lightning in a Bottle
Director of Photography:
2022 The Laundromat
2022 The Wright Choice
2022 Wish We Never Met
2023 Unseen Evil: A Horror Anthology
2024 Lightning in a Bottle
Executive Producer:
2022 The Laundromat
2022 The Wright Choice
2022 Wish We Never Met
2023 Unseen Evil: A Horror Anthology
2024 Lightning in a Bottle
Grip:
2022 The Laundromat
2022 The Wright Choice
2022 Wish We Never Met
2023 Unseen Evil: A Horror Anthology
2024 Lightning in a Bottle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.