A work in constant progress (and occasional regress).
Sakthi Saravanan is a public relations officer. He expertise in this field has been honed through my experience working alongside Mr. Johnson, a highly respected Public Relations Officer. Over the course of my four-year tenure as an assistant public relations officer, He had gained a wealth of knowledge and skills. I have had the privilege of working on a wide range of film projects, including notable movies such as Kumki, Attakathi, Maan Karate, Thanga Magan, Priyamanavale, Pandiya Naadu, Kola Kolaya Mundhirika, Kedi Billa Killadi Ranga, and many others. As an assistant PRO, he have actively contributed to approximately 60 films. In 2013, I took a significant step in my career by joining the South Indian Film Public Relations Union after years of dedicated work as an assistant. Since then, I have embarked on my own independent journey, carving out a unique path for myself. He is grateful for the opportunities that have allowed me to establish his own niche in this industry. He have now successfully worked in 50 movies and there is a slew of promising projects lined up for the days to come.
Line Producer:
2016 Dhuruvangal Pathinaaru
Public Relations:
2015 Viraivil Isai
2016 Dhuruvangal Pathinaaru
2016 Meera Jaakirathai
2017 Ilai
2017 Imai
2017 Konjam Konjam
2017 Thittivasal
2018 Tamizhananen
2018 Torchlight
2018 Traffic Ramasamy
2019 Super Duper
2019 Zhagaram
2021 Irudhi Pakkam
2021 Vettai Naai
2022 4554
2022 AGP
2022 Grandma
2022 Gurumoorthi
2022 Katchikkaaran
2022 Pen Vilai Verum 999 Rubai Matume
2022 Ree
2022 Thunikaram
2023 Aathmika
2023 Aghori
2023 Aima
2023 D3
2023 Locker
2023 Naan Kadavul Illai
2023 Ra Ra Sarasukku Ra Ra
2023 Thalaikkavasamum 4 Nanbargalum
2023 Unnaal Ennaal
2023 Vizhithelu
2024 Aalakaalam
2024 Kumbaari
2024 Park
???? Oda Vittu Sudalama
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.