A work in constant progress (and occasional regress).
Birthplace:
Zolani, South Africa
Siphesihle November was born in Zolani, South Africa and trained at Canada’s National Ballet School. Siphesihle joined The National Ballet of Canada as a member of the Corps de Ballet in 2017 and was promoted to Principal Dancer in 2021. Siphesihle recently made his debut as Jimmy/Snowman in the world premiere of MADDADDAM by Wayne McGregor, the world premiere of Rena Butler’s Alleged Dances and the Canadian premiere of Alonzo King’s The Collective Agreement. With his signature musicality, charisma and brilliant technique, Siphesihle is a natural in both classical and contemporary ballets. He has danced such roles as Siegfried in Swan Lake, Peter/The Nutcracker in The Nutcracker, Bluebird in The Sleeping Beauty, Benvolio and Mercutio in Romeo and Juliet, Puck in The Dream and Lewis Carroll/White Rabbit in Alice’s Adventures in Wonderland. His repertoire includes The Winter’s Tale, Nijinsky, Anna Karenina, The Four Seasons, The Vertiginous Thrill of Exactitude, Chroma, The Second Detail, Etudes, Chaconne, Angels’ Atlas, Emergence, A Streetcar Named Desire, Being and Nothingness, Paz de la Jolla, Night, Elite Syncopations, Concerto, Orpheus Alive and The Dreamers Ever Leave You. In 2019, Siphesihle won The International Competition for The Erik Bruhn Prize and he was named one of Pointe Magazine’s Star of the Corps and one of Dance Magazine’s 25 to Watch in 2018. He was also featured in Beyond Moving, a documentary that followed his journey from Zolani, South Africa to Canada’s National Ballet School and The National Ballet of Canada. In 2022, he made his choreographic debut on the National Ballet’s mainstage with On Solid Ground. For MAD HOT BALLET: Deco-Danse, he created All That Is Within for former First Soloist Tanya Howard to mark her retirement from the company.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.