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Mohamed Elhusseini (b. 1996)

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Alias:
Mohamed Elhusseini
Muhammed Elhusseini
محمد الحسيني
محمد محسن محمد الحسيني

Birthplace:
El Mansoura, Egypt

Born:
April 1, 1996

Biography from TheMovieDB

Full name: Mohamed Mohsen Mohamed Elhusseini (born April 1, 1996) is an Egyptian Musician and programmer.  Mohamed Elhusseini has emerged as a programmer for software that simulates live musical instruments such as violin, sax, clarinet and others, and combines the capabilities of the keyboard within the software under the name "Waves Music".  And a difference of 20 thousand Egyptian pounds for the actual cost of the machine.  Elhusseini also issued a website to help musicians in the world and the Arab world.  Elhusseini also helped Arab youth learn the skills of programming applications and websites. Mohamed Elhusseini was born on April 1, 1996, in the city of Tammy al-Amid, Dakahlia Governorate, in the Arab Republic of Egypt.  Mohamed Elhusseini is a student at the Faculty of Computers and Information at Mansoura University.

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Film Production

Musician:
2017  The Treasure: Truth & Imagination
2018  The Suit
2019  The Blue Elephant 2
2020  The Blue Whale
2021  Mama Hamel

Sound:
2017  The Treasure: Truth & Imagination
2018  Diamond Dust
2018  Feathers
2018  The Suit
2019  Pharaoh's War
2019  The Blue Elephant 2
2019  The Treasure : Love & Destiny
2020  The Blue Whale
2021  Mama Hamel
2021  Soulmate
2021  The Knower
2022  Kira & El Gen

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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