A work in constant progress (and occasional regress).
Birthplace:
Campo Grande, Mato Grosso do Sul, Brazil
Born:
April 29, 2002
Leonardo Andrade is a screenwriter, editor and photographer. He began his audiovisual career in 2017 through photography and joined the Audiovisual course in 2020. In 2024 he graduated and today is best known for his varied work in film production, from film criticism to post-production. His film style is based on interpersonal drama and the realistic deconstruction of photographic editing.
Assistant Director:
2024 Interlude
Director:
2022 Canção Vespertina
2022 Distração
2022 Vira-Tempo
2023 A Fonte, o Cabo e a Tomada
2023 When the Night is Over
2024 Interlude
Director of Photography:
2022 Canção Vespertina
2022 Distração
2022 Vira-Tempo
2023 A Fonte, o Cabo e a Tomada
2023 When the Night is Over
2024 Interlude
Editor:
2022 Canção Vespertina
2022 Distração
2022 Vira-Tempo
2023 A Fonte, o Cabo e a Tomada
2023 When the Night is Over
2024 Interlude
Producer:
2022 Canção Vespertina
2022 Distração
2022 Vira-Tempo
2023 A Fonte, o Cabo e a Tomada
2023 When the Night is Over
2024 Interlude
Sound:
2022 Canção Vespertina
2022 Distração
2022 Vira-Tempo
2023 A Fonte, o Cabo e a Tomada
2023 When the Night is Over
2024 Interlude
Sound Mixer:
2022 Canção Vespertina
2022 Distração
2022 Vira-Tempo
2023 A Fonte, o Cabo e a Tomada
2023 When the Night is Over
2024 Interlude
Writer:
2022 Canção Vespertina
2022 Distração
2022 Vira-Tempo
2023 A Fonte, o Cabo e a Tomada
2023 When the Night is Over
2024 Interlude
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.